Zane Grey, premier chronicler of the American West and legendary storyteller, is sure to captivate new and loyal fans with this reissue of the last of his four Western epics.

Robert Holdstock was a prolific writer whose oeuvre included horror, fantasy, mystery and the novelization of films, often published under pseudonyms. These twelve critical essays explore Holdstock's varied output by displaying his works against the backdrop of folk and fairy tales, dissecting their spatiotemporal order, and examining them as psychic fantasies of our unconscious life or as exempla of the sublime. The individual novels of the Mythago Wood sequence are explored, as is Holdstock's early science fiction and the Merlin Codex series.

Austrian toponymist Bernhardt Fingerberg makes his way back to civilization following a solo expedition out on Vatnajokull Glacier, barely alive. While recuperating, Dr. Lassi digs into the scholar's strange trek into the treacherous mountainous wasteland of Iceland: Öræfi. Was he really researching place names out there, or retracing the footsteps of a 20-year-old crime involving someone very close to him?

In a world where tumbleweeds meet talismans, and cowboys clash with ancient Eastern spirits, our hero stands alone. Lo Ma is not your typical gunslinger; he is the Kung Fu Cowboy, a protector of the desperate and the destitute. Trained in the mystic arts of Shailu, a master of martial arts, neigong, qigong, and other mysteries, Lo Ma is the West's last defense against sinister sorcerers, marauding orcs, and malevolent demons. As the Weird West falls under the dark shadow of a formidable evil, Lo Ma’s path is set alight with burning purpose. He knows the time has come, the final duel between order and chaos. From ghost towns teeming with mythical monsters to enchanted Eastern temples, Lo Ma’s journey is one of justice, danger, and spiritual awakening. Will Lo Ma, with fists as steady as his faith, cleanse the corrupt Weird West and restore the delicate balance of its world? Or will he, and the frontier he loves, drown under a tide of darkness and despair? Strap on your spurs and ready your spells for a rip-roaring adventure where the Old West and the mystical East unite in a tale of action, mystery, and soul-stirring heroism. Step into the boots of Lo Ma, saddle up, and hold tight—The Weird West awaits its savior.

Prepare yourself for a journey through the world of Patton Oswalt, one of the most creative, insightful, and hysterical voices on the entertain­ment scene today. Widely known for his roles in the films Big Fan and Ratatouille, as well as the television hit The King of Queens, Patton Oswalt—a staple of Comedy Central—has been amusing audiences for decades. Now, with Zombie Spaceship Wasteland, he offers a fascinating look into his most unusual, and lovable, mindscape. Oswalt combines memoir with uproarious humor, from snow forts to Dungeons & Dragons to gifts from Grandma that had to be explained. He remem­bers his teen summers spent working in a movie Cineplex and his early years doing stand-up. Readers are also treated to several graphic elements, includ­ing a vampire tale for the rest of us and some greeting cards with a special touch. Then there’s the book’s centerpiece, which posits that before all young creative minds have anything to write about, they will home in on one of three story lines: zom­bies, spaceships, or wastelands. Oswalt chose wastelands, and ever since he has been mining our society’s wasteland for perversion and excess, pop culture and fatty foods, indie rock and single-malt scotch. Zombie Spaceship Wasteland is an inventive account of the evolution of Patton Oswalt’s wildly insightful worldview, sure to indulge his legion of fans and lure many new admirers to his very entertaining “wasteland.”

The anti-fascist cantata Il canto sospeso, the string quartet Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo cemented Luigi Nono's place in music history. In this study, Carola Nielinger-Vakil examines these major works in the context of Nono's amalgamation of avant-garde composition with Communist political engagement. Part I discusses Il canto sospeso in the context of all of Nono's anti-fascist pieces, from the unfinished Fučik project (1951) to Ricorda cosa ti hanno fatto in Auschwitz (1966). Nielinger-Vakil explores Nono's position at the Darmstadt Music Courses, the evolution of his compositional technique, his penchant for music theatre and his use of spatial and electronic techniques to set the composer and his works against the diverging circumstances in Italy and Germany after 1945. Part II further examines these concerns and shows how they live on in Nono's work after 1975, culminating in a thorough analysis of Prometeo.

In a world buzzing with technology and creativity, hobby writing has become more than just a pastime; it has emerged as a vivid expression of passion and imagination. For many, writing has always been at the intersection of creativity and challenge, allowing stories to flow from the depths of the mind and onto the page. In an age where narratives are crafted not only in books but also in the pixelated realms of computer games, the potential for inspiration is limitless. Computer games, once regarded simply as entertainment, have evolved into multifaceted experiences that integrate story, art, and music, forging deep connections with players. They craft rich narratives that captivate audiences and encourage engagement on multiple levels, resembling modern-day interactive novels. This evolution offers aspiring writers a treasure trove of inspiration. Whether it's the intricacies of character development, the nuances of world-building, or the delicate balance of plot pacing, the gaming world provides a myriad of lessons for those eager to pen their own stories.