This collection of thirteen essays brings together Italian and American scholars to present a cooperative analysis of the Italian short story, beginning in the fourteenth century with Giovanni Boccaccio and arriving at the twentieth century with Alberto Moravia and Anna Maria Ortese. Throughout the book, the contributors carefully and intentionally unpack and explain the development of the short story genre and demonstrate the breadth of themes – cultural, historical and linguistic – detailed in these narratives. Dedicated to a genre “devoted to lightness and flexibility, as well as quickness, exactitude, visibility and multiplicity,” this collection paints a careful and exacting picture of an important part of both Italian and literary history.

From the bestselling author of Jurassic Park, Timeline, and Sphere comes an epic tale of unspeakable horror. It is 922 A.D. The refined Arab courtier Ibn Fadlan is accompanying a party of Viking warriors back to their home. He is appalled by their customs—the gratuitous sexuality of their women, their disregard for cleanliness, and their cold-blooded sacrifices. As they enter the frozen, forbidden landscape of the North—where the day’s length does not equal the night’s, where after sunset the sky burns in streaks of color—Fadlan soon discovers that he has been unwillingly enlisted to combat the terrors in the night that come to slaughter the Vikings, the monsters of the mist that devour human flesh. But just how he will do it, Fadlan has no idea.

Folklorists have become renowned for concentrating on aspects of form and classification to the detriment of content and meaning. Metamorphosis: The Dynamics of Symbolism in European Fairy Tales seeks to reverse this tendency in showing, through an examination of the folkloric data, that European fairy tales involve complex symbolism. This book seeks to explain - in reference to the notion of metamorphosis - the puzzling contradictory attributes of fairy-tale figures that have discouraged the study of meanings in this field and proposes that the workings of metamorphosis in fairy tales reveal a pervasive cyclic ontology that underlies mythology and ritual. The issue of universal symbolism is again examined - divested from any archetypal generalizations - as a subject of worthy reflection.

This special edition of the #1 New York Times bestselling Wings of Fire series soars back in time to give readers a glimpse of Pyrrhia through new eyes. In the shadow of wings . . . humans fight for survival. Ivy doesn't trust the Dragonslayer. He may be her father and the beloved ruler of Valor, but she knows he's hiding more than the treasure from the sand dragon he killed two decades ago. Leaf doesn't trust dragons. They're the reason his favorite sister, Wren, is dead, and now he'll do whatever it takes to slay even one. Wren doesn't trust anyone. She swore off humans after her village tried to sacrifice her to the dragons. She only has one friend, a small, wonderful mountain dragon named Sky, and they don't need anyone else. In a world of dragons, the humans who scramble around underfoot are easy to overlook. But Ivy, Leaf, and Wren will each cross paths with dragons in ways that could shape the destiny of both species. Is a new future possible for all of them . . . one in which humans can look to the skies with hope instead of fear?

An exploration of the ways in which new interpretations of theological doctrine inform Spenser's poetry.