This wide-ranging exploration of the key contemporary relationships between social change and housing is both policy-oriented and theoretical, drawing on a group of internationally-respected academics. It is also multidisciplinary, incorporating sociology, economics, social policy and human geography perspective. Its international perspective is rooted in its examination of issues such as economic insecurity and instability, social diversity, financial and social exclusion, sustainability, privatisation and state legitimacy, the interaction of the global and the local across three continents.

This book examines the phenomenon of surrogacy from a comparative perspective. Bringing together experts from 21 countries across the world, it provides a comprehensive discussion of the ways in which surrogacy is regulated in both Eastern and Western jurisdictions, and seeks to establish a common ground to move forward in this morally and legally difficult subject area.

Melegh's work offers a powerful analysis of the sociological and symbolic meanings of East-West in Europe after the end of the Cold War. While the fundamental poles of East and West remain, both their meaning and their relationship to one another have shifted profoundly since the late 1970s. Melegh exposes the underbelly of liberal characterizations of East-West, highlighting the polarizing effect of extreme nationalism and ethnic racism. The theoretical underpinnings of this work involve the ideas of preeminent theorists such as Karl Mannheim, Michel Foucault and more recently Maria Todorova and Iver Neumann. This work casts into fine relief how the "East-West Slope" oriented negatively from West to East has emerged from liberal characterizations of this project. The book analyzes the historical change in East-West discourses from a modernizationist type to a new/old civilizational one. In addition, this is one of the first attempts to link post-colonial analysis to developments in Eastern Europe.

No matter how one defines its extent and borders, Eastern Europe has long been understood as a liminal space, one whose undeniable cultural and historical continuities with Western Europe have been belied by its status as an “Other” in the Western imagination. Across illuminating and provocative case studies, The World beyond the West focuses on the region’s ambiguous relationship to historical processes of colonialism and Orientalism. In exploring encounters with distant lands through politics, travel, migration, and exchange, it places Eastern Europe at the heart of its analysis while decentering the most familiar narratives and recasting the history of the region.

Published in 1999. Analyzing and chronicling the continued development of key information, communication and fast transport networks at a global and regional level, this book looks at the transition to an information-based economy, and its urban impacts, at a global, regional and city level. The book outlines the change by defining it as the third great societal transition in the history of human settlement, and points to key factors that have fuelled progress. These include the growth of global telecommunications and fast transport networks; the coming together of information and communication technologies and their links to transport and land use; the shift to information and knowledge as a resource base for new industries; the increasing movement of people and information; the emergence of cities as economic entities, network nodes, and centres for generating, exchanging and processing information, and, most significantly, the competition among cities for these new key elements of of the urban economy.

From the Peter Neil Isaacs collection.

"How do Japanese and Western aesthetics differ? In this comparative cultural study, TAKASHINA Shūji, a leading scholar of Western art history and insightful commentator on Japanese art, compares the two artistic traditions to reveal the distinctive characteristics of the Japanese sense of beauty. The first section, Methods of Japanese Art, uses examples and cross-cultural comparisons to elucidate the techniques by which Japanese artists cultivated their unique approach. These include roving rather than fixed perspective, the 'aesthetic of negation' -- excising the unnecessary to emphasize what remains -- and the 'trailing bough' motif, which evokes a world beyond the work's borders and influenced Western artists such as Monet. In the second section, East-West Encounters, Takashina examines the history of cultural interaction between Japan and the West from the early modern period on and its influence on the art of both. The third section, Passing Beauty, Returning Memory, contains essays on Japanese culture more broadly, including its preference for recurring forms over fixed monuments and its tradition of combining multiple seasons in a single image. Japanese Art in Perspective is a guide not only to the art of Japan but to the essence of its spiritual culture." --