A series of 24 tales, 2 for each month of the year; 12 from classical sources; the other 12 from medieval Latin, French and Icelandic originals.

Originally published in 1868, 'The Earthly Paradise' is considered William Morris’s most popular poem. An epic poem that features legends, myths and stories from Europe, sectioned into the twelve months of the year. Usually sold in parts, Ragged Hand is publishing ‘The Earthly Paradise’ in one complete volume with a specially commissioned new biography of the author. Highly recommended for inclusion on the bookshelf of anyone with a passion for poetry. William Morris (1834 - 1896) was born in London, England. Arguably best known as a textile designer, he founded a design partnership which deeply influenced the decoration of churches and homes during the early 20th century. However, he is also considered an important Romantic writer and pioneer of the modern fantasy genre, being a direct influence on authors such as J. R. R. Tolkien. As well as fiction, Morris penned poetry and essays.

The prototypical Pre-Raphaelite artist, Edward Burne-Jones (1833-1898) embodied in his art the glamours of Victorian Romantic painting, harking back to an Arthurian Medieval England of chivalry, virtue, Arcadian delight and dreamy sensuality. "I mean by a picture a beautiful, romantic dream of something that never was, never will be," he once wrote, "in a light better than any light that ever shone--in a land no one can define or remember, only desire." Burne-Jones' fantasies of an ideal Albion offered solace against the onset of the Industrial Revolution, which had increasingly come to determine urban life in Victorian Britain, and which his close friend William Morris had also critiqued in his bestselling poetry book The Earthly Paradise (1868). This volume explores Burne-Jones' vision of an "Earthly Paradise" as expressed in painting cycles such as Perseus, Amor and Psyche, St George and Briar Rose, and his wonderful Arthurian tapestry sequences and book illustrations. It also opens up the artist's more practical efforts to secure this earthly paradise through the domestic crafts, rejuvenating the Victorian interior through Medieval precedents: carpets, textiles, stained glass windows, furniture and other Arts and Crafts objects. In emphasizing the conceptual unity of Burne-Jones' painting cycles and domestic designs, this monograph reveals his vision to be a coherent expression and longing for a finer world.Edward Burne-Jones was educated at Exeter College, Oxford, where he met his future collaborators, the artist-poets William Morris and Dante Gabriel Rossetti, under whose influence he left Oxford without graduating. From his first major exhibition in 1877, Burne-Jones was a hit with the English public; his 1884 painting "King Cophetua and the Beggar Maid" remains a classic expression of the Pre-Raphaelite Brotherhood sensibility. After his death in 1898, Burne-Jones' legacy became most apparent in the decorative arts.

The cultivation of gardens played an integral role in both the public and private spheres of the ancient world. Whether grown as sources of food, symbols of wealth and prestige, or as dwellings for the gods, gardens were nurtured at every level of society. In this beautifully illustrated book, Maureen Carroll examines the most recent evidence for the existence, functions, and designs of gardens from the second millennium B.C. to the middle of the first millennium A.D. in the cultures of the ancient Near East, Egypt, Greece, Italy, and the provinces of the Roman Empire. She looks at gardens in their many forms, including house gardens, orchards and parks, sacred gardens and cemetery gardens, and dedicates a chapter to gardens in ancient poetry. She also discusses ancient horticultural practices and the role of gardeners, concluding with a chapter on the survival of ancient gardening traditions in the Islamic and Byzantine worlds, and the perception and depiction of paradise in those cultures. Evidence is drawn from archaeological excavations, which can reveal the remains of gardens that were never mentioned in written sources, as well as from textual, pictorial, and environmental sources. Illustrated with delightful images from tomb and wall paintings, sculptural reliefs and manuscripts, as well as with informative reconstructions and plans, this book provides fascinating insights into the earthly paradises of antiquity. Book jacket.