In the late nineteenth century, in a dot of a town called Westley, lives the smallest girl in the world. Josephine stands only twenty-two inches high and her parents charge gawkers a penny a piece to see her – until they realize that the headmistress of MacLaren Academy for Girls will pay even more. At the Academy Josephine is treated like a slave and is tormented by the fine young ladies who attend, until she takes five gold dollars and runs away. She finds a new life with R. J. Walters’ Museum of Earthly Astonishments. Among the other human curiosities in the Coney Island freak show, Josephine finds the family she has never known…and dangers greater than any she’d ever dreamed. This riveting novel of adventure and injustice, new in paperback, has received many honors, including selection as a finalist for the Canadian Library book of the Year for Children Award, and as a shortlisted title for the Hackmatack Children’s Choice Book Award and the Red Cedar Book Award.

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In 1950 the poet Charles Olson published his influential essay "Projective Verse" in which he proposed a poetry of "open field" composition-to replace traditional closed poetic forms with improvised forms that would reflect exactly the content of the poem. The poets and poetry that have followed in the wake of the "projectivist" movement-the Black Mountain group, the New York School, the San Francisco Renaissance, and the Language poets-have since been studied at length. But more often than not they have been studied through the lens of continental theory with the effect that these high.