This riverside city was established when a rumor surfaced that a military road would be crossing over the Snohomish River. The road never materialized. By 1866, the "mother city" of the new county was little more than a clearing in the woods, offering a store and a saloon, and was known up and down the river as Cadyville. Ten years later, the name Snohomish City was established, along with the first newspaper, the first school, and the first literary society in the county. Farms, logging camps, and trading posts throughout the area pivoted around this growing city and manufacturing center. Even Seattle was not much larger and offered no more amenities. Today 9,000 residents call Snohomish home, and as the area develops farther away from the riverside and its historic roots, this book invites the reader to pause and remember.

Excerpt from An Illustrated History of Skagit and Snohomish Counties: Their People, Their Commerce and Their Resources; With an Outline of the Early History of the State of Washington We, the undersigned, pioneer citizens of Snohomish county, hereby certify that we have gone over the manuscript history of said county, prepared and to be published by the Inter state Publishing Company, and have called the attention of its editor to such errors and omission-s as our knowledge of events enabled us to discover. Having been active participants in, or vigilant Observers Of, almost everything that has happened in the county from the early days to the present, we believe ourselves well qualified to judge of the merits of said history, and we have no hesitancy in stating that so far as we know it is a full and comprehensive record of events, impartial in its treatment Of the various interests and sections and in all respects a meritorious and authentic wor'k. E. C. Ferguson, of Snohomish. E. D. Smith, of Lamott. Peter leque, of Stanwood. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

With bountiful salmon and fertile plains, the Duwamish River has drawn people to its shores over the centuries for trading, transport, and sustenance. Chief Se’alth and his allies fished and lived in villages here and white settlers established their first settlements nearby. Industrialists later straightened the river’s natural turns and built factories on its banks, floating in raw materials and shipping out airplane parts, cement, and steel. Unfortunately, the very utility of the river has been its undoing, as decades of dumping led to the river being declared a Superfund cleanup site. Using previously unpublished accounts by Indigenous people and settlers, BJ Cummings’s compelling narrative restores the Duwamish River to its central place in Seattle and Pacific Northwest history. Writing from the perspective of environmental justice—and herself a key figure in river restoration efforts—Cummings vividly portrays the people and conflicts that shaped the region’s culture and natural environment. She conducted research with members of the Duwamish Tribe, with whom she has long worked as an advocate. Cummings shares the river’s story as a call for action in aligning decisions about the river and its future with values of collaboration, respect, and justice.

From the first rap battles in Seattle's Central District to the Grammy stage, hip hop has shaped urban life and the music scene of the Pacific Northwest for more than four decades. In the early 1980s, Seattle's hip-hop artists developed a community-based culture of stylistic experimentation and multiethnic collaboration. Emerging at a distance from the hip-hop centers of New York City and Los Angeles, Seattle's most famous hip-hop figures, Sir Mix-A-Lot and Macklemore, found mainstream success twenty years apart by going directly against the grain of their respective eras. In addition, Seattle has produced a two-time world-champion breaking crew, globally renowned urban clothing designers, an international hip-hop magazine, and influential record producers. In Emerald Street, Daudi Abe chronicles the development of Seattle hip hop from its earliest days, drawing on interviews with artists and journalists to trace how the elements of hip hop--rapping, DJing, breaking, and graffiti--flourished in the Seattle scene. He shows how Seattle hip-hop culture goes beyond art and music, influencing politics, the relationships between communities of color and law enforcement, the changing media scene, and youth outreach and educational programs. The result is a rich narrative of a dynamic and influential force in Seattle music history and beyond. Emerald Street was made possible in part by a grant from 4Culture's Heritage Program.