The Coast Miwok and the early friars of Mission Dolores chose San Rafael both for its good weather and running streams, and the mission was named after the Archangel Raphael, the patron saint of bodily healing. When looking for a country estate, many wealthy San Franciscans sought the clean air and ideal weather here to escape the city's damp fog. San Rafael grew fast thereafter--it was the first city in Marin County to incorporate, the first to build a railroad, and the first to build a luxury hotel. San Rafael is the seat of county government, the center of commerce, and a cosmopolitan community in a natural setting. The dusty village of long ago was refined by fine schools and churches, the coming of the library, and by the ambitious efforts of the San Rafael Improvement Club. These early efforts made this a charming place to live, with Victorian homes, sylvan streets, and historic buildings in the business district. The pioneers would be pleased with the state of today's San Rafael.

Timed with the centennial of the Panama-Pacific International Exposition (PPIE) of 1915, Jewel City presents a large and representative selection of artworks from the fair, emphasizing the variety of paintings, sculptures, photographs, and prints that greeted attendees. It is unique in its focus on the works of art that were scattered among the venues of the expositionÑthe most comprehensive art exhibition ever shown on the West Coast. Notably, the PPIE included the first American presentations of Italian Futurism, Austrian Expressionism, and Hungarian avant-garde painting, and there were also major displays of paintings by prominent Americans, especially those working in the Impressionist style. This lavishly illustrated catalogue features works by masters such as Winslow Homer, John Singer Sargent, Claude Monet, Paul CŽzanne, Robert Henri, Edward Weston, Imogen Cunningham, Edvard Munch, Oskar Kokoschka, Umberto Boccioni, and many more. The volume also explores the PPIEÕs distinctive murals program, developments in the art of printmaking, and the legacy of the French Pavilion, which hosted an abundance of works by Auguste Rodin and inspired the founding and architecture of the Legion of Honor museum in San Francisco. A rich and fascinating study of a critical moment in American and European art history, Jewel City is indispensable for understanding both the United StatesÕ and CaliforniaÕs role in the reception of modernism as well as the regionÕs historical place on the international art stage. Published in association with the Fine Arts Museums of San Francisco. Exhibition dates: de Young Museum, San Francisco: October 17, 2015ÐJanuary 10, 2016

A rare biography of a California Indian leader that weaves together the story of a legendary figure. It's a little known fact that the San Francisco Bay Area's Marin County is named after a Coast Miwok chief who achieved notoriety for defying Spanish authority over his people. Anthropologist and archaeologist Betty Goerke has pieced together a portrait of the life of this Native American leader, using mission records, ethnographies, explorers' and missionaries' diaries and correspondence, and other material.

This is a comprehensive look at the Irish in Northern California from 1835 to 1900. Filled with anecdotes and insider history - this book is a unique piece of California history. The title, Forgotten Pioneers, embodies only half a truth in its application to the subject --- those early settlers in the wilderness of California, men of Irish birth or ancestry who contributed lavishly toward laying the foundations of a new commonwealth on the Pacific. It is the purpose of this book to reinstate in the rank where they belong, some, at least, of these overlooked men "whose character and achievement entitle them to the highest place in the respect and esteem of the people."

Mike Sullivan loves his adopted city of San Francisco, and he loves trees. In The Trees of San Francisco he has combined his passions, offering a striking and handy compendium of botanical information, historical tidbits, cultivation hints, and more. Sullivan's introduction details the history of trees in the city, a fairly recent phenomenon. The text then piques the reader's interest with discussions of 71 city trees. Each tree is illustrated with a photograph--with its common and scientific names prominently displayed--and its specific location within San Francisco, along with other sites; frequently a close-up shot of the tree is included. Sprinkled throughout are 13 sidelights relating to trees; among the topics are the city's wild parrots and the trees they love; an overview of the objectives of the Friends of the Urban Forest; and discussions about the link between Australia's trees and those in the city, such as the eucalyptus. The second part of the book gets the reader up and about, walking the city to see its trees. Full-page color maps accompany the seven detailed tours, outlining the routes; interesting factoids are interspersed throughout the directions. A two-page color map of San Francisco then highlights 25 selected neighborhoods ideal for viewing trees, leading into a checklist of the neighborhoods and their trees.