Early Music Editing
Title | Early Music Editing PDF eBook |
Author | Theodor Dumitrescu |
Publisher | |
Pages | 0 |
Release | 2013 |
Genre | Music |
ISBN | 9782503551517 |
Is editing music a fallacy? It may appear so when consulting the Oxford English Dictionary, which defines editing as to prepare an edition (of a literary work or works by an earlier author), or to prepare, set in order for publication (literary material which is wholly or in part the work of others). Of course, the parentheses readily allow the musicologist to construct a broadened definition of editing, tacitly declaring music to be akin to literature; but doing so causes a number of other discomforts, for music, while certainly not inimical to words, simply cannot be equated with literature tout court. Even so, the OED mercilessly insists on the origins of the term within the realm of literary text production. Furthermore, as if adding insult to injury, a secondary definition of editing offered by the OED-to prepare a film for the cinema or recordings for broadcasting, etc. (by eliminating unwanted material etc.) -brings music into play, but hardly in the sense it is construed in this volume, namely in its written instantiation as notation. Instead, catapulting the reader from the old-fashioned realm of ink and paper into the glittery domain of twentieth- and twenty-first century multi-media art forms and their post-Gutenbergian methods of production, storage and distribution, music editing is now made present as the cleaning-up procedure preceding the release of a new product rather than the painstaking preparation of a work or works by an earlier author for re-publication.
The Critical Editing of Music
Title | The Critical Editing of Music PDF eBook |
Author | James Grier |
Publisher | Cambridge University Press |
Pages | 288 |
Release | 1996-08-15 |
Genre | Music |
ISBN | 9780521558631 |
The book follows the activities inherent in music editing, including the tasks of the editor, the nature of musical sources, and transcription. Grier also discusses the difficult decisions faced by the editor such as sources not associated with the composer and necessary editorial judgement.
Editing Early Music
Title | Editing Early Music PDF eBook |
Author | |
Publisher | |
Pages | |
Release | 1987 |
Genre | |
ISBN |
A Performer's Guide to Transcribing, Editing, and Arranging Early Music
Title | A Performer's Guide to Transcribing, Editing, and Arranging Early Music PDF eBook |
Author | Alon Schab |
Publisher | Oxford University Press |
Pages | 289 |
Release | 2022-06-10 |
Genre | Arrangement (Music) |
ISBN | 0197600654 |
Provides instruction on three important tasks that early music performers often undertake in order to make their work more noticeable and appealing to their audiences. First, the book provides instruction on using early sources - manuscripts, prints, and treatises - in score, parts, or tablature. It then illuminates priorities behind basic editorial decisions - determining what constitutes a 'version' of a musical piece, how to choose a version, and how to choose the source for that version. Lastly, the book offers advice about arranging both early and new music for early instruments, including how to consider instruments' ranges and various registers, how to exploit the unique characteristics of period instruments, and how to produce convincing textures of accompaniment.
Editing Early Music
Title | Editing Early Music PDF eBook |
Author | Thurston Dart |
Publisher | [Oxford] Novello [1963] |
Pages | 24 |
Release | 1963 |
Genre | Music |
ISBN |
Editing early music
Title | Editing early music PDF eBook |
Author | Thurston Dart |
Publisher | |
Pages | 22 |
Release | 1963 |
Genre | Music |
ISBN |
Digital Audio Editing
Title | Digital Audio Editing PDF eBook |
Author | Simon Langford |
Publisher | CRC Press |
Pages | 505 |
Release | 2013-10-01 |
Genre | Music |
ISBN | 1134111371 |
Whether you’re comping a vocal track, restoring an old recording, working with dialogue or sound effects for film, or imposing your own vision with mash-ups or remixes, audio editing is a key skill to successful sound production. Digital Audio Editing gives you the techniques, from the simplest corrective editing like cutting, copying, and pasting to more complex creative editing, such as beat mapping and time-stretching. You’ll be able to avoid unnatural-sounding pitch correction and understand the potential pitfalls you face when restoring classic tracks. Author Simon Langford invites you to see editing with his wide-angle view, putting this skill into a broad context that will inform your choices even as you more skillfully manipulate sound. Focusing on techniques applicable to any digital audio workstation, it includes break-outs giving specific keystrokes and instruction in Avid’s Pro Tools, Apple’s Logic Pro, Steinberg’s Cubase, and PreSonus’s Studio One. The companion websites includes tutorials in all four software packages to help you immediately apply the broad skills from the book.