An accessible introduction to early English theatre, from the late medieval period to 1642.

A wide-ranging set of essays that explain what theatre history is and why we need to engage with it.

This book attempts a reconstruction of early Cambridge theatres, based on the abundant surviving records.

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A comprehensive guide to theater with two main emphases, on international theater and on performance in its widest sence, which is a rich source of information for students, professionals, theatergoers and the general reader and also acts as a stimulus to further exploration of areas of world theaters often neglected in many contemporary works of reference. Entries are arranged alphabetically and provide factual information on important traditions, theories, companies, playwrights, practioners, venues and events, with over 250 informative illustrations.

This book analyzes the discourses and practices that defined Renaissance theater, as related to the development of encyclopedic texts and vice versa. Looking at what "theater" meant to medieval and Renaissance writers and critics, William West sets Renaissance drama within one of its cultural and intellectual contexts. Although the study focuses on the Renaissance, it also draws on and analyzes substantial classical and medieval material. It is of equal interest to intellectual historians, theater historians and students of early literature.

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