A handy and entertaining literary pocket guide to Swansea, Gower and Laugharne, the three areas which were most influential on the life and work of Dylan Thomas (1914-53), comprising details of various locations, the poet's connection with the place and his use of the place in his work. 11 colour and 28 black-and-white photographs and 7 maps.

Ugly, Lovely: Dylan's Swansea and Carmarthenshire of the 1950s in Pictures is a touching collection of Ethel's photos accompanied by quotes from Dylan Thomas' poetry and her own comments.

A dazzling collection of prose from one of the greatest poets and storytellers of the twentieth century.

Dylan Thomas was one of the most extraordinary poetic talents of the twentieth century. Poems such as 'Do not go gentle into that good night' regularly top polls of the nation's favourites and his much-loved play Under Milk Wood has never been out of print. Thomas lived a life that was rarely without incident and died a death that has gone down in legend as the epitome of Bohemian dissoluteness. In The Three Lives of Dylan Thomas, journalist Hilly Janes explores that life and its extraordinary legacy through the eyes of her father, the artist Alfred Janes, who was a member of Thomas's inner circle and painted the poet at three key moments: in 1934, 1953 and, posthumously, 1964. Using these portraits as focal points, and drawing on a personal archive that includes drawings, diaries, letters and new interviews with omas's friends and descendants, The Three Lives of Dylan Thomas plots the poet's tempestuous journey from his birthplace in Swansea to his early death in a New York hospital in 1953. In this innovative and powerful narrative, Hilly Janes paints her own portrait: one that ventures beneath Thomas's reputation as a feckless, disloyal, boozy Welsh bard to reveal a much more complex character.

This is a pioneering study of the life and work of the Welsh-born poet and short-story writer Leslie Norris. His life, from his Merthyr upbringing to lecturing in England to a distinguished university career in the USA, is examined in connection with his development as a writer. In his early days much influenced by Dylan Thomas, Wordsworth and others, he later found his own literary voice in beautifully crafted stories and poems and, in more recent years, spare, compressed poem-sequences which speak of the modern world with piercing and, at times, pessimistic force. This account corrects the mistaken perception of Norris as a misplaced Georgian and shows him to be a moving, complex, disconcerning and important modern writer.