A classic mystery “bubbling with humor, bursting with clues, and switching from petty misdemeanors on the home shores to intrigue and adventure abroad.” —Sheffield Morning Telegraph As “Pudge” Coombe-Peters proved, Moyes had a gift for the kind of dreadful nicknames the British are so good at. This time around it’s “Flutter” Byers, a small-time hood who gets himself killed in a seedy Soho pub (was there, ever, any other kind?). Byers consorted with criminals and owed money all over town; his death should have been little more than a footnote in the history of London gangs. But for some reason, Inspector Tibbett of Scotland Yard believes it’s connected to PIFL, a backwater do-good outfit, currently trying to referee a murderous squabble between two small African nations. And these dark suspicions begin to look more likely when Henry gets word of another assassin’s bullet—headed, this time, for one of PIFL’s earnest, tweedy justice warriors. Praise for Patricia Moyes “The author who put the ‘who’ back in whodunit.” —Chicago Daily News “A new queen of crime . . . her name can be mentioned in the same breath as Agatha Christie and Ngaio Marsh.” —Daily Herald “An excellent detective novel in the best British tradition. Superbly handled.” —Columbus Dispatch “Intricate plots, ingenious murders, and skillfully drawn, often hilarious, characters distinguish Patricia Moyes’ writing.” —Mystery Scene

Three days out of prison and trying to stay on the right side of the law, Harry Healy doesn’t really want to get involved with Manfred Pfiser’s drug deals. But he needs the money – so he agrees to make one simple delivery. Simple, that is, till Harry stumbles across a dead body, the result of a robbery cooked up by an old cellmate of his together with a former high school baseball star, a trigger-happy sociopath, and a beach bunny who can’t seem to keep her clothing on. Now they’re all on the run – from the Miami police, from the drug kingpins they ripped off, and from each other…

Twenty-five years after her passing, Audrey Hepburn remains the most beloved of all Hollywood stars, known as much for her role as UNICEF ambassador as for films like Roman Holiday and Breakfast at Tiffany's. Several biographies have chronicled her stardom, but none has covered her intense experiences through five years of Nazi occupation in the Netherlands. According to her son, Luca Dotti, "The war made my mother who she was." Audrey Hepburn's war included participation in the Dutch Resistance, working as a doctor's assistant during the "Bridge Too Far" battle of Arnhem, the brutal execution of her uncle, and the ordeal of the Hunger Winter of 1944. She also had to contend with the fact that her father was a Nazi agent and her mother was pro-Nazi for the first two years of the occupation. But the war years also brought triumphs as Audrey became Arnhem's most famous young ballerina. Audrey's own reminiscences, new interviews with people who knew her in the war, wartime diaries, and research in classified Dutch archives shed light on the riveting, untold story of Audrey Hepburn under fire in World War II. Also included is a section of color and black-and-white photos. Many of these images are from Audrey's personal collection and are published here for the first time.

Three days out of prison and trying to stay on the right side of the law, Harry Healy doesn't really want to get involved with Manfred Pfiser's drug deals. But he needs the money - so he agrees to make one simple delivery.

In seventeenth-century Holland, a young woman vows to solve the mystery of her father's disappearance following a voyage to Venice to obtain paint color recipes for the painters of Utrecht.

Before he was gunned down in the Palace Chop House in Newark, NJ, October 1935, Arthur Flegenheimer, alias Dutch Schultz, was generally considered New York's Number One racketeer. He survived for two days, with a police stenographer to record his last words. He talked of his childhood and youth, as well as his recent past. Burroughs has taken these last words as a starting point to create his own fiction about the man.

As Harriet Beecher Stowe’s novel Uncle Tom’s Cabin traveled around the world, it was molded by the imaginations and needs of international audiences. For over 150 years it has been coopted for a dazzling array of causes far from what its author envisioned. This book tells thirteen variants of Uncle Tom’s journey, explicating the novel’s significance for Canadian abolitionists and the Liberian political elite that constituted the runaway characters’ landing points; nineteenth-century French theatergoers; liberal Cuban, Romanian, and Spanish intellectuals and social reformers; Dutch colonizers and Filipino nationalists in Southeast Asia; Eastern European Cold War communists; Muslim readers and spectators in the Middle East; Brazilian television audiences; and twentieth-century German holidaymakers. Throughout these encounters, Stowe’s story of American slavery serves as a paradigm for understanding oppression, selectively and strategically refracting the African American slave onto other iconic victims and freedom fighters. The book brings together performance historians, literary critics, and media theorists to demonstrate how the myriad cultural and political effects of Stowe’s enduring story has transformed it into a global metanarrative with national, regional, and local specificity.