Dutch Poetry translated into English Edited by David Colmer. The issue features Martinus Nijhoff, Gerrit Achterberg, M. Vasalis, Hanny Michaelis, Gerrit Kouwenaar, Lucebert, Hans Lodeizen, Jan Arends, Remco Campert, Hans Faverey, Cees Nooteboom, Bernlef, Toon Tellegen, Neeltje Maria Min, Anna Enquist, Frank Koenegracht, Hester Knibbe, Joke Van Leeuwen, Benno Barnard, Elma Van Haren, Esther Jansma, Nachoem M. Wijnberg, Menno Wigman, Erik Lindner, Mark Boog, Hagar Peeters, Maria Barnas, Alfred Schaffer, Mustafa Stitou, Ramsey Nasr, Kira Wuck, Ester Naomi Perquin, Marieke Lucas Rijneveld, Donald Gardner and Jane Draycott. Translators for the issue include James Brockway, David Colmer, Donald Gardner, Vivien D. Glass, Michele Hutchison, Francis R. Jones, David McKay, Scott Rollins and Judith Wilkinson.

Poetry. Translated from the Dutch by Paul Vincent and John Irons. 100 DUTCH-LANGUAGE POEMS is a lovely selection of poems written in the Dutch language from the 11th century to the present day. For the poetry lover it is a comprehensive introduction to poetry from the Low Countries and provides a wonderful insight into the themes and issues that influenced generations of poets. The Dutch language and English translations are presented side by side making it a great resource for literature and language students and scholars. A detailed foreword by Paul Vincent and John Irons who selected and translated the poems, as well as an intriguing afterword by Gaston Franssen, assistant professor of Literary Culture at the University of Amsterdam, add additional value to this necessary anthology. PAUL VINCENT Paul received a BA (Hons) Modern Languages (German, Dutch, French) from University of Cambridge, UK in 1964. He undertook Postgraduate study at the University of Amsterdam during 1965-1966. He was awarded an MA from University of Cambridge in 1968. From 1967 to 1989 he was a full time Lecturer and Senior Lecturer in Dutch Language and Literature at Bedford College, University of London, and afterwards at University College London. He left his academic career in 1989 to become a freelance translator of Dutch and German into English. He has translated many of the leading authors and poets from the Low Countries including Louis Couperus, Harry Mulisch, Willem Elsschot, Louis Paul Boon and Hugo Claus. He was the recipient of the first David Reid Poetry Translation Prize for the translation of Hendrik Marsman's famous poem 'Herinnering aan Holland' (Memory of Holland) in 2006, awarded by the Foundation for the Production and Translation of Dutch Literature. In 2012 Paul Vincent received the Vondel Prize for My Little War, his translation of Mijn kleine oorlog by Louis Paul Boon, published by Dalkey Archive. Paul Vincent is based in London. JOHN IRONS John Irons studied Modern & Medieval Languages (German, French, & Dutch) at Cambridge University and completed his PhD, The Development of Imagery in the Poetry of PC Boutens, at the same university. He worked as a senior lecturer at Odense University in Denmark. He has been a professional translator, from Danish, Swedish, Norwegian, Dutch, German and French to English, since 1987. He was awarded the NORLA translation prize for non-fiction in 2007. John Irons has worked on a long and distinguished list of publications and he has been a translator for Poetry International Rotterdam since 1996. He has translated several of the leading authors and poets from the Low Countries including anthologies of Dutch-language poets Hugo Claus and Gerrit Komrij. John Irons lives in Odense, Denmark. http://johnirons.blogspot.co.uk/

Dutch Interior

This volume--featuring Coetzee's finely wrought English translations side-by-side with the originals--brings the work of six of the most important modern and contemporary Dutch poets to light.

OF GREAT IMPORTANCE is Nachoem Wijnberg's 16th volume of poetry. One of the most prominent living Dutch writers, Wijnberg's poetry is known for its deceptively plain language and his poems, according to the poet himself, can be read well by anyone who can read a newspaper. The poems in OF GREAT IMPORTANCE engage with statecraft, economics, and world history, lyricizing taxes and debts, stocks and flows, citizenship and labor contracts, notaries and accountants, factories and strikes, freedoms and fundamental rights, banks and railroads, property rights and codes of honor, sieges and treaties, gods and generals, how to make money and how to win elections, when to declare war and when to found a new state. Wijnberg's engagement with these and other related topics is based on his belief that economics, politics, and history - and all of the tangled relations therein, no matter how asymmetrical - concern how people live together, and his poetry is a creative form of historiography that attends to tracing the theater of an affective commonwealth, in which he builds upon the best work of those thinkers and poets who came before - including Karl Marx, John Maynard Keynes, Heinrich Heine, Czeslaw Milosz, and especially C.P. Cavafy. Ultimately, Wijnberg understands that "Something important that changes the world only happens if there is a lever with a fulcrum you cannot know enough about," and yet his poetry gorgeously illuminates this fulcrum. VAN GROOT BELANG, a substantial part of which has been translated in OF GREAT IMPORTANCE, was shortlisted for the Dutch VSB Poetry Prize. According to the jury report, the book "constitutes the pinnacle of [Wijnberg's] individualistic oeuvre to date, [and] is a painfully consistent and uncomfortably accurate analysis of power, economic and social structures, and mechanisms that are at the root of the corrupted world in which we wake up each morning. In a highly individual poetic jargon, so bright that it causes a daze, he demonstrates the logic of the illogical and pares the illogical away from the logical." For his entire body of work, Wijnberg has also received the most prestigious Dutch literary award, the P.C. Hooftprijs, in 2018.

Though the Netherlands has been the site of vigorous literary activity since at least the Beweging van Vijftig (Movement of the Fifties) poets, the status of Dutch as a "minor" language spoken by only twenty-two million people has kept its rich poetry more or less a secret. This volume--featuring J. M. Coetzee's finely wrought English translations side-by-side with the originals--brings the work of six of the most important modern and contemporary Dutch poets to light. Ranging in style from the rhetorical to the intensely lyrical, the work here includes examples of myth-influenced modernist verse, nature poetry, experimental poetry, poems conscious of themselves within a pan-European avant-garde, and Cees Nooteboom's uncompromising reflections on the powers and limitations of art. In addition to Nooteboom, the poets represented are Gerrit Achterberg, Hugo Claus, Sybren Polet, Hans Faverey, and Rutger Kopland--a who's who of contemporary Dutch poetry. In Youth, Coetzee's main character claims that "of all nations the Dutch are the dullest, the most antipoetic." With these marvelous translations, the author proves his protagonist wrong.

Grand Larcenies features generous selections from the work of ten classic modern Dutch poets: Eva Gerlach, Gerrit Kouwenaar, Hester Knibbe, Hans R. Vlek, Rob Schouten, Willem van Toorn, J. Eijkelboom, H.H ter Balkt, K. Michel, and Esther Jansma. The translator, a notable Welsh poet and writer now living in the Netherlands, takes his bearings from Robert Minhinnick's seminal Welsh anthology The Adulterer's Tongue, which attempts by means of experiment rather than rigid linguistic fidelity to approach the imaginative core of the original. 'These versions take risks,' Evans declares; 'they are no black-and-white photocopy, but they honour the originals' forms and intentions, making audible a wide array of individual styles and voices, and a Dutch sensibility that is both familiar and alien to us.' A dual-language edition.