"This remarkable volume will take its place as the classic study of the key period in the history of the Dutch garden."--Choice

02 This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp. This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp.

"Through the Canvas celebrates the Design Studio conceived and directed in 2004 by Ricardo Flores and Eva Prats for students of architecture at the University of New South Wales in Sydney. The three parts of the book - 'De Hooch's Rooms': an introduction of the theme to the students, 'The Exercises': the work in progress of the studio itself, and 'Epilogue': a final conclusion through a series of articles by the members of the Jury - follow the sequence in which the theme was introduced, developed and debated during the week-long studio." "Based on the Dutch painter Pieter de Hooch's work, Flores Prats propose an exercise of architectural design through observation, strongly linked to the act of the making of things by hand. This studio, the big room where the workshop took place, contained people and work for five days. The accumulation - of drawings, models, photographs, dust, and tiredness - allowed the overlapping of different materials, producing new ideas which at the time sparked new work." "The effort of this publication has been in trying to reflect and reproduce this intensity, and to give continuity to a mass of material by putting together most of the drawings and photographs taken in situ. The idea of the book is not to favour the finished objects - the photographs - but to underline the process by which the projects came about, taking the intermediate material as the valuable product from where the final proposal can be seen. Correspondingly, the book contains not only drawings of completed projects, but more about the material produced during the evolution of the workshop."--BOOK JACKET.

Encompassing the socio-political, cultural background of the period, this title takes a look at the careers of the Old Masters and many lesser-known artists. The book covers artistic developments across six countries and examines in detail many of the artworks on display.

Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.

Traditionally Dutch art is seen and presented as a coherent phenomenon--the product of state formation in the late 16th century. Elisabeth de Bi vre challenges this view and its assumptions in a radical new account. Arguing that the Dutch Golden Age was far from unified, de Bi vre exposes how distinct geographical circumstances and histories shaped each urban development and, in turn, fundamentally informed the art and visual culture of individual cities. In seven chapters, each devoted to a single city, the book follows the growth of Amsterdam, Delft, Dordrecht, Haarlem, Leiden, The Hague, and Utrecht over the course of five centuries. By embracing the full gamut of art and architecture and by drawing on the records of town histories and the writings of contemporary travelers, de Bi vre traces the process by which the visual culture of the Netherlands emerged to become the richest, most complex material expression in Europe, capturing the values of individuals, corporate entities, and whole cities.