On nineteenth Century Earth artist Edvard Munch hears an infinite scream pass through nature. Centuries later his painting of that Scream hangs in a gallery on the barren dust world Duchamp 331. Why is there a colony of artists on a planet that is little more than a glorified garage? What is the event that the passengers of the huge, opulent pleasure cruiser 'Gallery' are hoping to see? And what is hidden in the crates that litter the cargo hold? The Doctor's diary indicates that the painting is about to be destroyed in 'mysterious circumstances', and when he and Ace arrive on Duchamp 331, those circumstances are well underway. This story takes place after "Survival."

"For the first time, the friendships that existed between this triumvirate are examined in depth, revealing the way their mutual admiration inspired and sustained their creative output at different stages during their careers. All three were fascinated with new technologies that evolved during their lifetimes, including photography, film, mechanisation and mass production. All three lampooned the pretensions of high art, employing humour, eroticism and word play to great effect."--Back cover.

The grandfather of Christian fiction returns with the story of what happened to the winslow family during an earlier era when the Tudors reigned—tracing the doomed rise of Stuart Winslow within the salacious court of King Henry VIII. The determined Stuart Winslow will go to any lengths to lift himself and his widowed mother out of poverty. After a distant relative manages to secure a place for Stuart in the court of King Henry VIII, Stuart quickly learns that the court is really a wicked cauldron of vices, power plays, and temptation. As Stuart rises at court, he is asked to find and deliver for execution an enemy of the king—William Tyndale, an acquaintance of Stuart’s whose sole ambition is to translate the Bible into the language of the common man. Does Stuart fall prey to his dangerous ambition and accept the assignment? Or is he willing to face death at the stake for the sake of Christ? In Honor in the Dust, bestselling author Gilbert Morris captures the tone of the Tudor period beautifully, chronicling the period’s excesses with skill and prudence. But like Morris’s other novels, it also contrasts those excesses with the godly behavior of real-life characters like William Tyndale. In this captivating historical drama, Stuart Winslow is caught between two worlds: one that promises material and worldly success, and one that promises salvation. Is his faith strong enough to withstand such a challenge?

Máirtín Ó Cadhain’s irresistible and infamous novel The Dirty Dust is consistently ranked as the most important prose work in modern Irish, yet no translation for English-language readers has ever before been published. Alan Titley’s vigorous new translation, full of the brio and guts of Ó Cadhain’s original, at last brings the pleasures of this great satiric novel to the far wider audience it deserves. In The Dirty Dust all characters lie dead in their graves. This, however, does not impair their banter or their appetite for news of aboveground happenings from the recently arrived. Told entirely in dialogue, Ó Cadhain’s daring novel listens in on the gossip, rumors, backbiting, complaining, and obsessing of the local community. In the afterlife, it seems, the same old life goes on beneath the sod. Only nothing can be done about it—apart from talk. In this merciless yet comical portrayal of a closely bound community, Ó Cadhain remains keenly attuned to the absurdity of human behavior, the lilt of Irish gab, and the nasty, deceptive magic of human connection.

A powerful post-nuclear holocaust novel described by the author as, 'my cry against the monstrous weapons men have made'. Everyone thought, when the alarm bell rang, that it was just another fire practice. But the first bombs had fallen on Hamburg and Leningrad, the headmaster said, and a full-scale nuclear attack was imminent . . . It's a real-life nightmare. Sarah and her family have to stay cooped up in the tightly-sealed kitchen for days on end, dreading the inevitable radioactive fall-out and the subsequent slow, torturous death, which seems almost preferable to surviving in a grey, dead world, choked by dust. But then, from out of the dust and the ruins and the desolation, comes new life, a new future, and a whole brave new world...

"Transit, transitional, transition: Dalia Judovitz catches Marcel Duchamp on the run with his art in a suitcase and his thought all boxed and ready to go. . . . She demonstrates how the theme of transition, reappearing from work to work, makes each piece reproduce some other piece, while all continue to exemplify an original which can no longer be found and which has no creator."—Jean-François Lyotard

Winner of the Booker Prize as best novel of the year in 1983, Heat and Dust was also made into a major motion picture starring Julie Christie, now regarded by many as a classic.