This book is about the map of an English county – Hertfordshire – which was published in 1766 by two London mapmakers, Andrew Dury and John Andrews. For well over two centuries, from the time of Elizabeth I to the late 18th century, the county was the basic unit for mapping in Britain and the period witnessed several episodes of comprehensive map making. The map which forms the subject of this book followed on from a large number of previous maps of the county but was greatly superior to them in terms of quality and detail. It was published in a variety of forms, in nine sheets with an additional index map, over a period of 60 years. No other maps of Hertfordshire were produced during the rest of the century, but the Board of Ordnance, later the Ordnance Survey, established in the 1790s, began to survey the Hertfordshire area in 1799, publishing the first maps covering the county between 1805 and 1834. The OS came to dominate map making in Britain but, of all the maps of Hertfordshire, that produced by Dury and Andrews was the first to be surveyed at a sufficiently large scale to really allow those dwelling in the county to visualize their own parish, local topography and even their own house, and its place in the wider landscape. The first section examines the context of the map’s production and its place in cartographic history, and describes the creation of a new, digital version of the map which can be accessed online . The second part describes various ways in which this electronic version can be interrogated, in order to throw important new light on Hertfordshire’s landscape and society, both in the middle decades of the eighteenth century when it was produced, and in more remote periods. The attached DVD contains over a dozen maps which have been derived from the digital version, and which illustrate many of the issues discussed in the text, as well as related material which should likewise be useful to students of landscape history, historical geography and local history.

This volume contains original research into aspects of garden history in Hertfordshire.

Garden design evolved hugely during the Georgian period – as symbols of wealth and stature, the landed aristocracy had been using gardens for decades. Yet during the eighteenth century, society began to homogenise, and the urban elite also started demanding landscapes that would reflect their positions. The gardens of the aristocracy and the gentry were different in appearance, use and meaning, despite broad similarities in form. Underlying this was the importance of place, of the landscape itself and its raw material. Contemporaries often referred to the need to consult the ‘genius of the place’ when creating a new designed landscape, as the place where the garden was located was critical in determining its appearance. Genius loci - soil type, topography, water supply - all influenced landscape design in this period. The approach taken in this book blends landscape and garden history to make new insights into landscape and design in the eighteenth century. Spooner’s own research presents little-known sites alongside those which are more well known, and explores the complexity of the story of landscape design in the Georgian period which is usually oversimplified and reduced to the story of a few ‘great men’.

The cultural, political, and economic influences on the changing fortunes of Hertfordshire’s great parks over the past 500 years are examined in this authoritative history. Fascinating accounts of such parks as Hatfield, Moor Park, and Knebworth are illustrated by revisiting each historical era and its prevailing fashions, such as the enthusiasm for deer hunting in the 16th century and the golden age of landscape gardening in the 18th century. Close analysis of each time period’s cartographical sources further supports this fitting record of the county’s green spaces, which ultimately outlines the ongoing decline in Hertfordshire’s parklands, now divided piecemeal between golf courses, schools, and hotels; sold as real estate; or precariously maintained as tourist attractions.

William Faden's map of Norfolk, published in 1797, was one of a large number of surveys of English counties produced in the second half of the eighteenth century. This book, with accompanying DVD, presents a new digital version of the map, and explains how this can be interrogated to produce a wealth of new historical information. It discusses the making of the Norfolk map, and Faden's own career, within the wider context of the eighteenth-century "cartographic revolution". It explores what the map, and others like it, can tell us about contemporary social and economic geography. But it also shows how, carefully examined, the map can also inform us about the development of the Norfolk landscape in much more remote periods of time. The book includes a digital version of the map, on DVD. Andrew Macnair is Research Fellow at the School of History in the University of East Anglia; Tom Williamson is Professor of History and Head of the Landscape Group at the University of East Anglia.

Lancelot “Capability” Brown was one of the most influential landscape designers of the eighteenth-century at a time when Britain was changing radically from an agrarian to an industrial and colonial nation, whilst Europe was periodically convulsed by war and revolution. The extent and nature of his influence are, however, fiercely debated. Brown worked at hundreds of important sites across England and his name became synonymous with the “English Garden” style which was copied across Northern Europe and entranced Catherine the Great, who remodelled her landscapes in St Petersburg to reflect the new style. He was fêted in his time, and recognised by the Crown, but Brown’s style was readily copied over his later life and particularly after his death. Arguably, this ubiquity led to the denigration of his achievements and even his character, particularly by the agents of the Picturesque. The lack of any personal primary material from Brown - forcing scholars to rely on his landscapes, contracts and bank accounts - has hindered attempts to provide a rounded and credible account of the man and his works. However, by exploring his team of associates and his role as Royal Gardener, new light can be thrown on the man, his landscapes and his landscape legacy. Bringing together a number of perspectives from across Northern Europe, Capability Brown, Royal Gardener explores the lasting international impact of Brown. With Brown’s position as Royal Gardener at its heart, this book explores for the first time his business methods, working methods and European influence. It assesses how, crucially, Brown’s work practices placed him within the world of nurserymen and landscape designers, and how his business practices and long term relationships with draughtsmen and designers allowed him to manage a huge number of projects and a substantial financial turnover. This, in turn, allowed him to work in a way that promoted and advanced his style of landscape. Edited by Professor Jonathan Finch (University of York) and Dr Jan Woudstra (University of Sheffield), and with a varied range of engaging contributors drawn internationally from archaeology, art history, history and landscape architecture, Capability Brown, Royal Gardener weaves together strands from across a broad range of disciplinary interests. It makes an important contribution to the scholarly discussion of Brown’s work, the work of his collaborators, and legacy in the UK and across Northern Europe. Relevant to students and academics at all levels, this volume throws new light on Capability Brown and his impact on the business of place-making in Northern Europe.