Two great social causes held center stage in American politics in the 1960s: the civil rights movement and the antiwar groundswell in the face of a deepening American military commitment in Vietnam. In Peace and Freedom, Simon Hall explores two linked themes: the civil rights movement's response to the war in Vietnam on the one hand and, on the other, the relationship between the black groups that opposed the war and the mainstream peace movement. Based on comprehensive archival research, the book weaves together local and national stories to offer an illuminating and judicious chronicle of these movements, demonstrating how their increasingly radicalized components both found common cause and provoked mutual antipathies. Peace and Freedom shows how and why the civil rights movement responded to the war in differing ways—explaining black militants' hostility toward the war while also providing a sympathetic treatment of those organizations and leaders reluctant to take a stand. And, while Black Power, counterculturalism, and left-wing factionalism all made interracial coalition-building more difficult, the book argues that it was the peace movement's reluctance to link the struggle to end the war with the fight against racism at home that ultimately prevented the two movements from cooperating more fully. Considering the historical relationship between the civil rights movement and foreign policy, Hall also offers an in-depth look at the history of black America's links with the American left and with pacifism. With its keen insights into one of the most controversial decades in American history, Peace and Freedom recaptures the immediacy and importance of the time.

With chapters from Rik Loose, Fabian Naparstek, Patricia Gherovici, Bruce Fink, Thomos Svolos and many others, the anthology is for people interested in the topic of addictions, or in Lacanian psychoanalysis, and especially for those interested in how the two intersect. Lacan and Addiction is based on papers presented at a 2006 conference where Lacanians from around the world gathered to speak about addictions. Conference participants explored the complexity of the problem for the individual, society, clinicians, and for treatment. In the current climate, where addiction is mostly treated by variations of twelve step approaches and psychopharmacological "countermeasures", it is all too easy to lose sight of the dimensions of addiction that render it not just a disease to be managed but rather a significant form of human suffering and a subjective responsibility, both of which are critical components of addiction treatment. More and more, addiction treatment is turning away from psychological and psychoanalytic theorization and towards psychopharmacological measures; this anthology attempts to rectify that situation.

Black and Brown Planets embarks on a timely exploration of the American obsession with color in its look at the sometimes-contrary intersections of politics and race in science fiction. The contributors, including De Witt D. Kilgore, Edward James, Lisa Yaszek, and Marleen S. Barr, among others, explore science fiction worlds of possibility (literature, television, and film), lifting blacks, Latin Americans, and indigenous peoples out from the background of this historically white genre. This collection considers the role of race and ethnicity in our visions of the future. The first section emphasizes the political elements of black identity portrayed in science fiction from black America to the vast reaches of interstellar space framed by racial history. In the next section, analysis of indigenous science fiction addresses the effects of colonization, helps discard the emotional and psychological baggage carried from its impact, and recovers ancestral traditions in order to adapt in a post-Native-apocalyptic world. Likewise, this section explores the affinity between science fiction and subjectivity in Latin American cultures from the role of science and industrialization to the effects of being in and moving between two cultures. By infusing more color in this otherwise monochrome genre, Black and Brown Planets imagines alternate racial galaxies with viable political futures in which people of color determine human destiny.