Student life and political perspectives at Wilhelmine universities

Staging Authority: Presentation and Power in Nineteenth-Century Europe is a comprehensive handbook on how the presentation, embodiment, and performance of authority changed in the long nineteenth century. It focuses on the diversification of authority: what new forms and expressions of authority arose in that critical century, how traditional authority figures responded and adapted to those changes, and how the public increasingly participated in constructing and validating authority. It pays particular attention to how spaces were transformed to offer new possibilities for the presentation of authority, and how the mediatization of presence affected traditional authority. The handbook’s fourteen chapters draw on innovative methodologies in cultural history and the aligned fields of the history of emotions, urban geography, persona studies, gender studies, media studies, and sound studies.

The question of what it takes "to be a man" comes under scrutiny in this sharp, often playful, cultural critique of the German duel--the deadliest type of one-on-one combat in fin-de-siécle Europe. At a time when dueling was generally restricted to swords or had been abolished altogether in other nations, the custom of fighting to the death with pistols flourished among Germany's upper-class males, who took perverse comfort in defying their country's weakly enforced laws. From initial provocation to final death agony, Kevin McAleer describes with ironic humor the complex protocol of the German duel, inviting his reader into the disturbing mindset of its practitioners and the society that valued this socially important but ultimately absurd pastime. Through a narrative that cannot restrain itself from poking fun at the egos and prejudices that come to the fore in the pursuit of "manliness," McAleer offers both an entertaining and thought-provoking portrait of a cultural phenomenon that had far-reaching effects. The author employs a wealth of anecdotes to re-create the dueling event in all its variety, from the level of insult--which could range from loudly ridiculing a man's choice of entrée in an upscale restaurant to, more commonly, bedding his wife--to such intricacies as the time and place of the duel, the guest list, the selection of weapons and number of paces, dress options, and the decision regarding when to let the attending physician set up his instruments on the field. As he exposes the reader to the fierce mentality behind these proceedings, McAleer describes the duel as a litmus test of courage, the masculine apotheosis, which led its male practitioners to lay claim to both psychic and legal entitlements in Wilhelmine society. The aristocratic nature of the duel, with its feudal ethos of chivalry, gave its upper-middle-class practitioners even more opportunity to distinguish themselves from the underclasses and other marginalized groups--such as Socialists, Jews, left-liberals, Catholics, and pacifists, who, for various reasons, were stigmatized as incapable of "giving satisfaction." The duel, according to McAleer, was thus a social mirror, and the dueling issue political dynamite. Throughout these accounts, the author sustains a personal voice to convey the horror and fascination of what at first appears to be simply a curious fringe activity, but which he goes on to reveal as an integral element of German society's consciousness in the late nineteenth century. In so doing, he strengthens the argument that Germany followed a path of development separate from the rest of Europe, leading to World War I and ultimately to Hitler and the Nazis. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Studies exploring the history of the German-Jewish male identity from the sixteenth to twentieth centuries, across a myriad of societal occupations. Stereotyped as delicate and feeble intellectuals, Jewish men in German-speaking lands in fact developed a rich and complex spectrum of male norms, models, and behaviors. Jewish Masculinities explores conceptions and experiences of masculinity among Jews in Germany from the sixteenth through the late twentieth century as well as emigrants to North America, Palestine, and Israel. The volume examines the different worlds of students, businessmen, mohels, ritual slaughterers, rabbis, performers, and others, shedding new light on the challenge for Jewish men of balancing German citizenship and cultural affiliation with Jewish communal solidarity, religious practice, and identity. “A valuable addition to the growing field of Jewish gender history.” —Derek Penslar, University of Toronto “[This book] assembles innovative, vivid, and inspiring inquiries into the intersection of Jewish history, German history, and gender history. By focusing on the male side of Jewish gender history . . . [this] book establishes a new field, profiting from a broad range of never (or rarely) before used primary sources, such as memoirs, letters, interviews, and obscure tabloids.” —German Studies Review, May 2014 “[A]n excellent introduction to the Zionist remasculinization of the Jewish male.” —H-Judaic, February 2015 “[I]nsightful, innovative and largely entertaining. . . . [T]his volume makes a very valuable and original contribution to German-Jewish history.” —German History “Historians of central Europe will be enriched by the interrogations of “theory” along with excavations of little-known yet critical avenues of Jewish history in this excellent volume.” —Central European History

At once a book about Oxford and Heidelberg University and about the character of European society on the eve of the World War I, Our Friend "The Enemy" challenges the idea that pre-1914 Europe was bound to collapse.