THE STORY: As told by Watts, To express its somewhat moderate viewpoint, it takes us to Aix in the middle of the last century and introduces two ladies of contrasting temperaments. One is so concerned with sexual virtue that she snubs women of les

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Helen Hayes Theatre, Roger L. Stevens and S. Hurok present Vivien Leigh, Mary Ure in "Duel of Angels," a play by Jean Giraudoux, translated and adapted by Christopher Fry, with Peter Wyngarde, John Merivale, Alan MacNaughtan, Ludi Claire, Margaret Braidwood, Donald Moffat, settings by Roger Furse, lighting by Paul Morrison, women's costumes designed by Christian Dior, directed by Robert Helpmann.