This book explores Dubai's history from its beginnings as a small fishing village to its place on the world stage today, using historical narratives, travel descriptions, novels and fictional accounts by local writers to bring colour to€the history of the city's urban development. With case studies and surveys€the author explores the economic and political forces driving Dubai's urban growth, its changing urbanity and its place within the global city network.

The politics of space and culture in Dubai in the first decade of the twenty-first century.

Are Arab Gulf cities, the likes of Dubai, Abu Dhabi or Doha, on their way to extinction? Is their fate obsolescence? Or, are they the model for our urban future? Can a city whose very existence is predicated on an imported labour force who build and operate these gleaming urban centres remain a viable urban entity? Could the transient nature of this urban model, its temporariness and precariousness, also be its doom? In this wide-ranging book Yasser Elsheshtawy takes on these tough, but necessary, questions aiming to examine the very nature of the Arab Gulf city and whether it can sustain its existence throughout the twenty-first century. Having lived in the region for more than two decades he researched its marginalized and forgotten urban settings, trying to understand how a temporary people can live in a place that inherently refuses to give them the possibility of becoming citizens. By being embedded in these spaces and reconciling their presence with his own personal encounters with transience, he discovered a resilience and defiance against the forces of the hegemonic city. Using subtle acts of resistance, these temporary inhabitants have found a way to sustain and create a home, to set down roots in the midst of a fast changing and transient urbanity. Their stories, recounted in this book through case studies and in-depth analysis, give hope to cities everywhere. Transience is not a fait accompli: rather the actions of citizens, residents and migrants – even in the highly restrictive spaces of the Gulf – show us that the future metropolis may very well not turn out to be a ‘utopia of the few and a dystopia of the many’. This could be an illusion, but it is a necessary illusion because the alternative is irrelevance.

'A great storyteller . . . you would be hard pushed to find a more knowledgeable or entertaining [guide]' Icon 'Such an interesting book . . . I cannot recommend it enough.' Lauren Laverne In Dubai, a luxury apartment block is built in the shape of a giant iPod. In China, President Xi Jinping denounces the trend of constructing ‘bizarre’ new buildings in wacky shapes and colours. In Cincinnati, celebrity architect Zaha Hadid is paid millions to design a single ‘iconic’ structure – with the hope of single-handedly transforming the region’s ailing fortunes. These incidents are all part of the same story: the rise of the age of spectacle. Over the last fifty years, there has been a revolution in how our cities operate. In The Age of Spectacle, Tom Dyckhoff tells the story of how architecture became obsessed with the flashy, the monumental and the ostentatious – and how we all have to live with the consequences. Exploring cityscapes from New York to Beijing, and from Bilbao to Portsmouth, Dyckhoff shows that we are not just witnessing a new kind of building: we are living through a fundamental transformation in how our urban spaces work. The corporate explosion of the last few decades has fundamentally shifted the relationship between architects, politicians and cities’ inhabitants, fostering innovative new kinds of engineering and design, but also facilitating ill-conceived vanity projects and commercial power-grabs. Timely, passionate and bursting with new ideas, The Age of Spectacle is both an examination of how twenty-first century cities work, and a manifesto for a radically new kind of urbanism. Our cities, Dyckhoff shows, can thrive in the age of spectacle – but only if they engage us not just with dazzling structures, but by responding to the needs of the people who inhabit them. 'Engaging . . . The “iconic” building is the most obvious architectural phenomenon of our age yet, somehow, no one has quite done what Tom Dyckhoff does with The Age of Spectacle, which is to tell its story clearly and plainly.' Rowan Moore, Observer 'First class. Finally, a book that nails the iconic movement – Tom Dyckhoff’s The Age of Spectacle is the book that I wish I had written.' Simon Jenkins 'Unusually accessible [and] well argued.' Evening Standard

Today, Dubai is a city of shimmering skyscrapers attracting thousands of tourists every year. Yet just sixty years ago Dubai's population scraped a living by picking dates, diving for pearls, or sailing in wooden dhows to trade with Iran and India. Dubai is everything the rest of the Arab world is not. Until recently it was the fastest-growing city in the world, with an economy whose growth outpaced China's while luring more tourists than all of India. The city has become a metaphor for the lush life, where the wealthy mingle in gilded splendour and luxury cars fill the streets, yet it is also beset by a backwash of bad design, environmental degradation and controversial labour practices. Dubai tells its unique story.

Transnational Architecture and Urbanism combines urban planning, design, policy, and geography studies to offer place-based and project-oriented insight into relevant case studies of urban transformation in Europe, North America, Asia, and the Middle East. Since the 1990s, increasingly multinational modes of design have arisen, especially concerning prominent buildings and places. Traditional planning and design disciplines have proven to have limited comprehension of, and little grip on, such transformations. Public and scholarly discussions argue that these projects and transformations derive from socioeconomic, political, cultural trends or conditions of globalization. The author suggests that general urban theories are relevant as background, but of limited efficacy when dealing with such context-bound projects and policies. This book critically investigates emerging problematic issues such as the spectacularization of the urban environment, the decontextualization of design practice, and the global circulation of plans and projects. The book portends new conceptualizations, evidence-based explanations, and practical understanding for architects, planners, and policy makers to critically learn from practice, to cope with these transnational issues, and to put better planning in place.