Life is a diverse and ubiquitous phenomenon on Earth, characterized by fundamental features distinguishing living bodies from nonliving material. Yet it is also so complex that it has long defied precise definition. This book from a seasoned biologist offers new insights into the nature of life by illuminating a fascinating architecture of dualities inherent in its existence and propagation. Life is connected with individual living beings, yet it is also a collective and inherently global phenomenon of the material world. It embodies a dual existence of cycles of phenotypic life, and their unseen driver — an uninterrupted march of genetic information whose collective immortality is guaranteed by individual mortality. Although evolution propagates and tunes species of organisms, the beings produced can be regarded merely as tools for the survival and cloning of genomes written in an unchanging code. What are the physical versus informational bases and driving forces of life, and how do they unite as an integrated system? What does time mean for individuals, life on the global scale, and the underlying information? This accessible examination of principles and evidence shows that a network of dualities lies at the heart of biological puzzles that have engaged the human mind for millennia.

"Life is a Dream," a work by Pedro Calderón de la Barca, is centered on issues of freedom and predestination. The play unfolds around Segismundo, Prince of Poland, imprisoned since birth by his father, King Basilio, due to a prophecy predicting the ruin of the kingdom under his rule. When Basilio decides to test fate by releasing Segismundo, the plot explores the consequences of this decision. The narrative addresses Segismundo's internal struggle with his destiny and the nature of reality, questioning whether life is a dream from which one can awaken. Other characters, such as Rosaura and Astolfo, weave subplots that interconnect personal desires and social duties, reflecting on justice, honor, and love. Set in a context that blends elements of drama, philosophy, and politics, the play investigates the complexity of the human condition, the ethics of leadership, and the power of repentance and personal transformation. With a structure that includes intrigue, plot twists, and reflections on being and seeming, "Life is a Dream" invites the audience to ponder freedom and determinism.

New covenant believers live between "the already" and "not yet," a point in redemptive history between the partial and complete fulfillment of God's promises. This means they are exiles and pilgrims in the divinely ordained overlap of the ages. As Rev. Jason J. Stellman argues in his book Dual Citizens: Worship and Life Between the Already and the Not Yet, this biblical motif shapes the identity of Christians at every turn and affects their every activity in both the sacred and secular realms. Stellman explores the Christian pilgrimage with deep biblical insight, humor, and relevance to our contemporary context, revealing how Christians are to think of themselves and their role this side of heaven.

The second volume of Max Saunders's magisterial biography sees the publication of Ford's post-war masterpiece, Parade's End, and the founding of the Transatlantic Review, the influential literary magazine that published Hemingway, Ezra Pound, and Picasso. It also documents Ford's marriage to Janice Biala, with whom he lived until his death in 1939.

The potential misuse of advances in life sciences research is raising concerns about national security threats. Dual Use Research of Concern in the Life Sciences: Current Issues and Controversies examines the U.S. strategy for reducing biosecurity risks in life sciences research and considers mechanisms that would allow researchers to manage the dissemination of the results of research while mitigating the potential for harm to national security.

From Scotiabank Giller Prize finalist Alix Ohlin comes an intimate and compelling novel of motherhood, love, a search for belonging, and what it means to be a sister. All her life, Lark Brossard felt invisible, overshadowed by the people around her: first by her temperamental mother; then by her sister, Robin, a brilliant pianist as wild as the animals she loves; and finally by Lawrence Wheelock, a filmmaker who is both Lark’s employer and her occasional lover. When Wheelock denies her what she longs for most — a child — Lark is forced to re-examine a life marked by unrealized ambitions and thwarted desires. As she takes charge of her destiny, Lark comes to rely on Robin in ways she never could have imagined. In this meditation on motherhood, sisterhood, desire, and self-knowledge, Alix Ohlin traces the rich and complex path towards fulfillment as an artist and as a human being.