Dryden: Selected Poems is drawn from Paul Hammond and David Hopkins's remarkable five-volume The Poems of John Dryden, and includes a generous selection of his most important work. The great satires, MacFlecknoe and Absalom and Achitophel, are included in full, as are his religious poemsReligio Laici and The Hind and the Panther, along with a number of Dryden's translations from Horace, Ovid, Homer, and Chaucer. Each poem is accompanied by a headnote, which gives details of composition, publication, and reception. The first-rate annotations provide information on matters of interpretation and give details of allusions that might prove baffling to contemporary readers. Some 300 years after his death, Dryden: Selected Poems will enable new generations of readers to discover the poet of whom Eliot wrote: 'we cannot fully enjoy or rightly estimate a hundred years of English poetry unless we fully enjoy Dryden'.

A new and comprehensive selection of Dryden's poetry, revealing him as a master of theatricality, ventriloquism, and unmistakable originality. In his lifetime, John Dryden gained fame at the cost first of gossip and scandal and then of suspicion and scorn. He wrote to order, currying favor with the Crown and repeatedly savaging its enemies. Yet the finest works of his political and spiritual imagination- "Absalom and Achitophel" and "The Hind and the Panther"-develop the themes of envy, ambition, and misdeed in ways that far transcend their era. During the Glorious Revolution, Dryden fell from patronage and favor: he then transformed himself into perhaps the greatest of English translators, a superb interpreter of Virgil and Horace, Juvenal and Persius, Boccaccio and Chaucer. This edition contains a preface and annotations accompanying each poem, modernized spelling and punctuation, and an informative introduction and chronology. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

This collection of essays reassesses the importance of verse as a medium in the long eighteenth century, and as an invitation for readers to explore many of the less familiar figures dealt with, alongside the received names of the standard criticism of the period.

Augustine, Pertile and Zwicker celebrate the work of Andrew Marvell (1621-1678) in the quatercentenary year of his birth, combining the best historical scholarship with a varied and ambitious programme of cognitive, affective, and aesthetic inquiry. The essays have been specially commissioned for the quatercentenary and include the work of a range of scholars from Britain and North America. Acknowledged masterpieces such as the 'Horatian Ode', 'The Garden', and 'Upon Appleton House' are here read in light of historical and material evidence that has emerged in recent decades. At the same time, the volume offers many fresh points of entry into Marvell's work, with particular attention to the poet's lyric economies, Marvell's engagement with popular print, and, not least, the polyglot and transnational dimensions of his writing. The quatercentenary also represents an important anniversary for Marvell studies, marking one hundred years since T. S. Eliot's appreciation of the poet inaugurated modern Marvell criticism. As Imagining Andrew Marvell at 400 reassesses Marvell's writings it also reflects on the profession of English literature, taking stock of the discipline itself, where it has been and where it might be going as scholars continue to map the pleasures and challenges of reading and re-reading Andrew Marvell.

This book is a concise introduction, drawing on the latest research, to the life and work of the most celebrated English poet of the late seventeenth century. It is unusual in stressing not only the poet's responses to the events, personalities, and ideas of his own day, but also the way in which his work engages (in a far more speculative and pluralistic way than is often supposed) with human issues and dilemmas of permanent concern: the relation of human to animal and inanimate nature; the forces, internal and external which serve to ennoble, enrich and confound human endeavour; the capacities and limits of human reason; the relations between the sexes. Dryden emerges from this study as, simultaneously, a 'man of his times' and a writer with important things to say to us all.

Reminding readers of John Dryden’s persistent use of occult rhetoric, Jack M. Armistead argues that Dryden’s otherworldliness involves more than Christian apologetics, biblical typology, or intermittent borrowings from the supernatural materials in classical literature. Rather, it manifests throughout his career in occult materials drawn from many traditions, including but going well beyond the standard classical and Christian ones. As Armistead shows, Dryden’s practice of juxtaposing pre- and post-scientific treatments of such occult topics as alchemy, astrology, and demonology pervades many of his poems and plays. In its engagement with works such as The Indian Queen, Annus Mirabilis, All for Love, and Absalom and Achitophel, among many others, Otherworldly John Dryden not only enhances our understanding of Dryden’s works, but also tracks the writer’s attitudes about Providence and the ability of the poet to perceive a hidden design in earthly events.