Reveals the history of our struggle with alcoholism and the emergence of a search for sobriety that is as old as our nation. In Drunks, Christopher Finan introduces us to a colorful cast of characters who were integral in America’s moral journey to understanding alcoholism. There's the remarkable Iroquois leader named Handsome Lake, a drunk who stopped drinking and dedicated his life to helping his people achieve sobriety. In the early nineteenth century, the idealistic and energetic “Washingtonians,” a group of reformed alcoholics, led the first national movement to save men like themselves. After the Civil War, doctors began to recognize that chronic drunkenness is an illness, and Dr. Leslie Keeley invented a “gold cure” that was dispensed at more than a hundred clinics around the country. But most Americans rejected a scientific explanation of alcoholism. A century after the ignominious death of Charles Adams came Carrie Nation. The wife of a drunk, she destroyed bars with a hatchet in her fury over what alcohol had done to her family. Prohibition became the law of the land, but nothing could stop the drinking. Finan also tells the dramatic story of Bill Wilson and Dr. Bob Smith, who helped each other stay sober and then created AA, which survived its tumultuous early years and finally proved that alcoholics could stay sober for a lifetime. This is narrative history at its best: entertaining and authoritative, an important portrait of one of America’s great liberation movements and essential reading for anyone involved in the addiction community.

An "entertaining and enlightening" deep dive into the alcohol-soaked origins of civilization—and the evolutionary roots of humanity's appetite for intoxication (Daniel E. Lieberman, author of Exercised). While plenty of entertaining books have been written about the history of alcohol and other intoxicants, none have offered a comprehensive, convincing answer to the basic question of why humans want to get high in the first place. Drunk elegantly cuts through the tangle of urban legends and anecdotal impressions that surround our notions of intoxication to provide the first rigorous, scientifically-grounded explanation for our love of alcohol. Drawing on evidence from archaeology, history, cognitive neuroscience, psychopharmacology, social psychology, literature, and genetics, Drunk shows that our taste for chemical intoxicants is not an evolutionary mistake, as we are so often told. In fact, intoxication helps solve a number of distinctively human challenges: enhancing creativity, alleviating stress, building trust, and pulling off the miracle of getting fiercely tribal primates to cooperate with strangers. Our desire to get drunk, along with the individual and social benefits provided by drunkenness, played a crucial role in sparking the rise of the first large-scale societies. We would not have civilization without intoxication. From marauding Vikings and bacchanalian orgies to sex-starved fruit flies, blind cave fish, and problem-solving crows, Drunk is packed with fascinating case studies and engaging science, as well as practical takeaways for individuals and communities. The result is a captivating and long overdue investigation into humanity's oldest indulgence—one that explains not only why we want to get drunk, but also how it might actually be good for us to tie one on now and then.

Forty years sober when he neared the end of his life, Jack McCarthy gives the world something special in his final collection of poetry and true stories. This is his legacy to the people who saved his life. Jack McCarthy's poem "Drunks” has gone around the world on recovery websites and is one of the most popular poems on the harsh climb out of alcoholism to date.

Fresia Castillo's father left Chile smuggled in the boot of a car; her mother crossed the Andes by bus with two small children. Fresia, a photographer, has lived all of her life in Britain, but following the death of her father, she has decided it is time to return. Despite one previous visit when she felt at odds with her Chilean relatives, she is drawn to a land so rich in landscapes and extremes. It is also, of course, a place of political extremes, and the aftershocks of Pinochet's regime are still reverberating. On the journey to Santiago she meets Joe, a young university lecturer. When the two of them become entangled with a wealthy and mysterious Anglo-Chilean whose son has disappeared from a bar, their journey takes some unexpected turns. Exotic and sensuous, this is beguiling novel about identity, loyalty, friendship and unrequited love set against the backdrop of a country emerging from political turmoil.

Contradictory to its core, the sitcom—an ostensibly conservative, tranquilizing genre—has a long track record in the United States of tackling controversial subjects with a fearlessness not often found in other types of programming. But the sitcom also conceals as much as it reveals, masking the rationale for socially deviant or deleterious behavior behind figures of ridicule whose motives are rarely disclosed fully over the course of a thirty-minute episode. Examining a broad range of network and cable TV shows across the history of the medium, from classic, working-class comedies such as The Honeymooners, All in the Family, and Roseanne to several contemporary cult series, animated programs, and online hits that have yet to attract much scholarly attention, this book explores the ways in which social imaginaries related to "bad behavior" have been humorously exploited over the years. The repeated appearance of socially wayward figures on the small screen—from raging alcoholics to brainwashed cult members to actual monsters who are merely exaggerated versions of our own inner demons—has the dual effect of reducing complex individuals to recognizable "types" while neutralizing the presumed threats that they pose. Such representations not only provide strangely comforting reminders that "badness" is a cultural construct, but also prompt audiences to reflect on their own unspoken proclivities for antisocial behavior, if only in passing.

A thirty-four-year old entertainment lawyer from Los Angeles is having a bad week. His wife throws him out in the middle of a rainstorm, his mother is diagnosed a deadly cancer and in grief he abruptly resigns his prestigious job after a big success in a major copyright case. What happens to a man used to getting what he wants when the wheels come off his carefully planned glamorous life? The author chronicles his seven year descent into darkness and near death along with a subsequent renewal.

How to identity the addicts in your life and their negative impact.