For kids who have mastered hand sewing, machine sewing opens up exciting new possibilities! Sewing School ®2 offers 20 creative projects designed for children ages 7 and up, including cloth pencil cases, purses, wall pockets, and even a fabric guitar. Illustrated step-by-step instructions show kids how to thread a sewing machine, select an appropriate stitch, and choose fabrics and patterns that evoke their own unique style. Suggestions for creative variations open up endless possibilities for kids to imaginatively personalize their fabric creations.

This sewing guide reveals a breakthrough method to simplify learning stitches of all kinds, with more than 100 stitches from the simple to the fanciful. As makers, we tend to learn different stitches over time without thinking much about how they relate to one another. But when Natalie Chanin and her teams at Alabama Chanin and The School of Making began to look at needlework closely, they realized all stitches are based on geometric grid systems. They also discovered that learning new stitches—even elaborate ones—became simple and easy when using grids as guides. In The Geometry of Hand-Sewing Chanin presents their breakthrough method, featuring illustrated instructions (for both right- and left-handed stitchers) for more than 100 stitches—from the basic straight and chain to complex feather and herringbone. Photos of both right and wrong sides are included, as well as guidelines for modifying stitches to increase one’s repertoire further. The book also offers downloads for two stitching cards with the grids on which every stitch in the book is based. These printable cards can be used as stencils for transferring grids to fabric.

Kids can sew too! This inspiring guide includes 21 fun sewing projects for children ages 5 and up. With easy-to-follow illustrated instructions and cut-out patterns, young crafters will quickly be sewing up colorful pillows, potholders, dolls, blankets, and more. These kid-tested projects require only minimal supervision and most can be made using simple hand stitches, so no sewing machine is required. With plenty of encouragement and helpful tips, Sewing School ® helps young sewers develop their skills while sparking a passion that will last a lifetime. Also available in this series: Sewing School ® 2,Sewing School ® Fashion Design, Sewing School ® Quilts, and Sewing School ® Box Set.

No one interested in the history of dress, from art historians to stage designers, from museum curators to teachers of fashion and costume, can function effectively without Janet Arnold's Patterns of Fashion series, published by Macmillan since 1964. Since her untimely death in 1998, admirers of her work have been waiting, with increasing impatience, for the promised volume devoted to the linen clothes of the Elizabethan and early Stuart periods, a companion to her previous volume on tailored clothes of the same era. Planned and partly prepared by Janet herself, and completed by Jenny Tiramani, Janet's last pupil, no other book exists that is dedicated to the linen clothes that covered the body from the skin outwards. It contains full colour portraits and photographs of details of garments in the explanatory section as well as patterns for 86 items of linen clothing which range from men's shirts and women's smocks, from superb ruffs and collars to boot hose and children's stomachers. Beautifully produced, it is an invaluable guide to both the history and the recreation of these wonderful garments.

An invaluable resource, Dressmaking will guide you through all the stages of making, altering, and customizing clothes. Starting with the Tools and Materials, you will learn what you need to buy and how to use it. The Fabrics chapter demonstrates the drape and weave of fabrics and explains the best uses of each. The Patterns chapter covers everything from understanding a pattern to altering one. In General Techniques, close-up photography and guiding annotation to explain key techniques step by step. A section on Basic Patterns and Variations then guides you through creating six garments. Patterns and detailed step-by-step instructions are provided for a skirt, dress, shirt, tee, jacket, and pair of trousers. Instructions are also given for possible variations of each garment. Finally, chapters on Alterations and repairs and Customizing offer practical tips for repairing worn items and inspiration for modernizing tired pieces. Packed with essential advice and inspiration, this is the dressmaking bible that no budding seamstress should be without.

Through home sewing, Sarah A. Gordon examines domestic labor, marketing practices, changing standards of femininity, and understandings of class, gender, and race from 1890 to 1930. As ready-made garments became increasingly available due to industrialization, many women, out of necessity or choice, continued to make their own clothing. In doing so, women used a customary female skill both as a means of supporting traditional ideas and as a tool of personal agency. The shifting meanings of sewing formed a contested space in which businesses promoted sewing machines as tools for maintaining domestic harmony, women interpreted patterns to suit-or flout-definitions of appropriate appearances, and girls were taught to sew in ways that reflected beliefs about class, race, and region. Unlike studies of clothing that focus on changes in fashion, "Make it Yourself" looks at the social and cultural processes surrounding home production. Gordon examines sewing clothing as work, whether resented or enjoyed, and the function of that work for families and individuals from a range of backgrounds. Another unique element is Gordon's use of an unusually wide variety of source materials, from diaries, photographs, and government pamphlets to tissue paper patterns, dresses, sewing workbooks, and paper dolls. This "hands on" approach, combined with an accessible writing style, connects the reader to the women and girls who are at the heart of her study. Altogether, "Make it Yourself" provides a new perspective on a widespread yet often neglected form of women's work.