Named a Notable Translated Book of the Year by World Literature Today A poignant and unexpectedly inspirational account of women’s suffering and resilience in Stalin’s forced labor camps, diligently transcribed in the kitchens and living rooms of nine survivors. The pain inflicted by the gulags has cast a long and dark shadow over Soviet-era history. Zgustová’s collection of interviews with former female prisoners not only chronicles the hardships of the camps, but also serves as testament to the power of beauty in face of adversity. Where one would expect to find stories of hopelessness and despair, Zgustová has unearthed tales of the love, art, and friendship that persisted in times of tragedy. Across the Soviet Union, prisoners are said to have composed and memorized thousands of verses. Galya Sanova, born in a Siberian gulag, remembers reading from a hand-stitched copy of Little Red Riding Hood. Irina Emelyanova passed poems to the male prisoner she had grown to love. In this way, the arts lent an air of humanity to the women’s brutal realities. These stories, collected in the vein of Svetlana Alexievich’s Nobel Prize-winning oral histories, turn one of the darkest periods of the Soviet era into a song of human perseverance, in a way that reads as an intimate family history.

Rabbit’s Snow Dance Master storytellers Joseph and James Bruchac present a hip and funny take on an Iroquois folktale about the importance of patience, the seasons, and listening to your friends. Pair it with other stories about stubborn animals like Karma Wilson’s Bear Wants More and Verna Aardema’s Why Mosquitoes Buzz in People's Ears. Rabbit loves the winter. He knows a dance, using an Iroquois drum and song, to make it snow—even in summertime! When rabbit decides that it should snow early, he starts his dance and the snow begins to fall. The other forest animals are not happy and ask him to stop, but Rabbit doesn’t listen. How much snow is too much, and will Rabbit know when to stop? The father-son duo behind How Chipmunk Got His Stripes, Raccoon’s Last Race, and Turtle’s Race with Beaver present their latest retelling of Native American folklore. “The telling is sprightly, and Newman's ink-and-watercolor artwork makes an ideal companion. An appealing addition to folktale shelves.” —Booklist “This modern retelling maintains [the Bruchacs’] solid reputation for keeping Native American tales fresh.” —School Library Journal “The picturesque language makes it a pleasure to read aloud.”—BCCB

Elsie can't wait to go to her first father-daughter dance. She picked out the perfect dress and has been practicing swirling and swaying in her wheelchair. Elsie's heart pirouettes as she prepares for her special night. With gestures, smiles, and words from a book filled with pictures, she shares her excitement with her family. But when a winter storm comes, she wonders if she'll get the chance to spin and dance her way to a dream come true.

Rhyme follows rhyme as layer after layer of winter clothing ("bunchy and hot, wrinkled a lot, stiff in the knee, and too big for me!") is first put on and then taken off to the relief of the child bundled inside. Clever rebuses and jaunty illustrations make The Jacket I Wear in the Snow especially fun for prereaders and new readers.

How to Dance With a Duke Manda Collins What's a wallflower to do when she's suddenly in need of a husband? Use all the pluck and moxie she can muster to get what she wants... Miss Cecily Hurston would much rather explore the antiquities of Egypt than the uncharted territory of marriage. But the rules of her father's exclusive academic society forbid her entrance unless she weds one of its members. To clear her ailing father's name of a scandalous rumor, Cecily needs to gain admission into the Egyptian Club—and is willing to marry any old dullard to do it. Lucas Dalton, Duke of Winterson, is anything but dull. He's a dashing and decorated war hero determined to help Cecily—even if that means looking the other way when she claims the dance card of Amelia Snow, this season's most sought-after beauty. But Lucas has a reason for wanting Cecily to join the Egyptian Club: His brother went missing during one of Lord Hurston's expeditions to Egypt. An alliance with the explorer's bluestocking daughter could bring Lucas closer to the truth about what happened...or it could lead him to a more dangerous love than either he or Cecily could have imagined....

Dress the sticker dollies as they flutter their way through fairyland in this gorgeous new activity book in the Sticker Dolly Dressing series. There are lots of stickers with which to dress the dolls in gorgeous clothes and accessories, and decorations to complete the magical scenes. The cover is foiled which adds extra sparkle to the colourful illustrations. The stylish illustrations and descriptive text make this perfect for any fairy lover.

The ballet for hippo ballerinas and their crocodile cavaliers (plus a corps de ballet of ostriches and elephants) set to Ponchielli’s “Dance of the Hours” in Fantasia (1940) is one of the best-loved scenes in all the Disney animated features. Many viewers may not realize, however, that this ballet is no mere generalized parody of ballet mannerisms, but is in fact a deeply informed, affectionate parody of a famous scene choreographed by George Balanchine for the film Goldwyn Follies (1938) and starring his wife, the ballerina movie star Vera Zorina. With this sequence as a point of departure, Hippo in a Tutu examines the roles that dance, dancing, and choreography play in the Disney animated shorts and features. This profusely-illustrated chronicle both analyzes and celebrates dance in the Disney studios’ work, while also investigating behind the scenes to find out how Disney’s animated dance sequences have been made.