"Mai" lost her mother at an young age, and began living with Ken. As the two grow up, they begin to see each other in a sexual light, and ultimately cross the line. "I can't be become a hindrance for Ken..." With that thought, Mai makes up her mind to marry another person... "Just a little more, please..."

"Mai" lost her mother at an young age, and began living with Ken. As the two grow up, they begin to see each other in a sexual light, and ultimately cross the line. "I can't be become a hindrance for Ken..." With that thought, Mai makes up her mind to marry another person... "Just a little more, please..."

"Mai" lost her mother at an young age, and began living with Ken. As the two grow up, they begin to see each other in a sexual light, and ultimately cross the line. "I can't be become a hindrance for Ken..." With that thought, Mai makes up her mind to marry another person... "Just a little more, please..."

In this book, the first collection of its kind, you will hear insights directly from the mouths and minds of the anime and manga creators themselves, in interviews with are often the only ones on record in English. some of these creators are larger-than-life legends in their native Japan, some are up-and-coming young talents, but all have a lot to say on the subject of their work.

"Mai" lost her mother at an young age, and began living with Ken. As the two grow up, they begin to see each other in a sexual light, and ultimately cross the line. "I can't be become a hindrance for Ken..." With that thought, Mai makes up her mind to marry another person... "Just a little more, please..."

#1 Amazon Best Seller in Philosophy Criticism. The world is increasingly unthinkable, a world of planetary disasters, emerging pandemics, and the looming threat of extinction. In this book Eugene Thacker suggests that we look to the genre of horror as offering a way of thinking about the unthinkable world. To confront this idea is to confront the limit of our ability to understand the world in which we live – a central motif of the horror genre. In the Dust of This Planet explores these relationships between philosophy and horror. In Thacker's hands, philosophy is not academic logic-chopping; instead, it is the thought of the limit of all thought, especially as it dovetails into occultism, demonology, and mysticism. Likewise, Thacker takes horror to mean something beyond the focus on gore and scare tactics, but as the under-appreciated genre of supernatural horror in fiction, film, comics, and music. This relationship between philosophy and horror does not mean the philosophy of horror, if anything, it means the reverse, the horror of philosophy: those moments when philosophical thinking enigmatically confronts the horizon of its own existence. For Thacker, the genre of supernatural horror is the key site in which this paradoxical thought of the unthinkable takes place. The cover of In the Dust of this Planet can be seen in a New York gallery, on a banner at the 2014 Climate Change march in New York and on Jay-Z's back promoting Run. The book influenced the writers of the US TV series True Detective and has been lambasted by ex-Fox News broadcaster, Glenn Beck in this podcast https://www.youtube.com/watch?v=2IW8OK4_1gQ

In this comprehensive study, 15 African experts describe and analyse the military budgetary processes and degree of parliamentary oversight and control in nine countries of Africa, spanning across all the continent's sub-regions. Each case study addresses a wide range of questions, such as the roles of the ministries of finance, budget offices, audit departments and external actors in the military budgetary processes, the extent of compliance with standard public expenditure management procedures, and how well official military expenditure figures reflect the true economic resources devoted to military activities in these countries.