Jan Willis is not Baptist or Buddhist. She is simply both. Dreaming Me is the story of her life, as a child growing up in the Jim Crow South, dealing with racism in an Ivy League college, and becoming involved with the Black Panther Party. But it wasn't until meeting Lama Yeshe, a Tibetan Buddhist monk living in the mountains of Nepal, that she realized who the real Jan Willis was, and how to make the most of the life she was living.

When this book first came out, Publishers Weekly's glowing review ended with the following statement: "With a whisper to Oprah, Jan Willis could be the first African-American Buddhist feminist guru to be embraced by reading groups across America". PW wasn't the only one who noticed. Time magazine named her one of the top spiritual innovators of the new millennium. Newsweek wrote her up, too. Really, the list goes on and on. Luckily, Dreaming Me is now coming out in a new, revised and updated edition. The subtitle should give you an idea of what's in this modern favourite, and you'll notice that it's not a matter of either/or. Willis is not Baptist "or" Buddhist. She's both. Dreaming Me is a book about reconciling what's made us, so that we can be at peace with what we are. Willis came up Baptist in the segregated South, went to Cornell, and got involved with the Black Panther Party. What happens next seems like a disconnect, but it's not: she went to a Tibetan Buddhist monastery, met the great teacher Lama Yeshe and with his guidance, found the real Jan Willis, the one who could recognize the best of what life gave her and make something lasting and transformative from it. Willis would become the first African American scholar-practitioner of Tibetan Buddhism in America. Today, she's a professor of religion at Wesleyan, and a truly esteemed member of the Buddhist teaching community. Dreaming Me is the story of how she got there, and got there whole.

An intimate account of Edward Saïd's life and thought Edward Said is a personal, literary portrait of one of the twentieth century’s most influential scholars, written by his close friend and confidante. Here, Lebanese novelist and essayist Dominique Eddé offers a fascinating and fresh presentation of his oeuvre from his earliest writings on Joseph Conrad to his most famous texts, Orientalism and Culture and Imperialism. Eddé weaves together accounts of the genesis and content of Said’s work, his intellectual development, and her own reflections and personal recollections of their friendship, which began in 1979 and lasted until Said’s death in 2003. In this intimate and searching portrait of Said’s thought, Eddé continues to maintain their dialogue despite his death, trying to make peace with the loss of a collaborator with whom she still wants to talk and disagree. Bringing together personal reflection and theoretical innovation, reflective mourning and immediate argument, Eddé has written a testament to a great intellectual passion. Both specialists of Said’s work and newcomers will find much to learn in this rich portrait of one of the twentieth century’s most important intellectuals.

"Children who get distracted easily will relate to Sadie and will realize they can focus on their positive qualities." —Oregon Coast Youth Book Preview Center Sadie feels like her thoughts are soaring into the clouds and she can’t bring them back down to earth. She has trouble paying attention, which makes keeping track of schoolwork, friends, chores, and everything else really tough. Sometimes she can only focus on her mistakes. When Sadie talks to her parents about her wandering, dreaming mind, they offer a clever plan to help remind Sadie how amazing she is. Includes a Note to Parents and Caregivers with more information on ADHD, self-esteem, and helping children focus on the positives.

"In these engaging, challenging and beguiling dialogues, Pamela Cohn expertly draws from her subjects, personal biography and conceptual intent, process and nearly subconscious motivation, personal revelation and political mission. The result is a work that not only provides a road map to the furthest regions of cinematic possibility in the early 21st century but one whose spirited back-and-forth inspires the reader to think anew about artistic possibility." —Scott Macaulay, editor-in-chief of Filmmaker Magazine “Pamela Cohn has curated and conducted a series of interviews that simultaneously invite you to turn the page, and pause for a moment of reverie. Her interviews furrow the grounds where sensibilities become cinema, and attitudes become forms." —Luke Moody Lucid Dreaming is an unprecedented global collection of discussions with documentary and experimental filmmakers, giving film and video its rightful place alongside the written word as an essential medium for conveying the most urgent concerns in contemporary arts and politics. In these long-form conversations, film curator and arts journalist Cohn draws out the thinking of some of the most intriguing creators behind the rapidly developing movement of moving-image nonfiction. The collection features individuals from a variety of backgrounds who encounter the world, as Cohn says, “through a creative lens based in documentary practice.” Their inspirations encompass queer politics, racism, identity politics, and activism. The featured artists come from a multiplicity of countries and cultures including the U.S., Finland, Serbia, Syria, Kosovo, China, Iran, and Australia. Among those Cohn profiles and converses with are Karim Aïnouz, Khalik Allah, Maja Borg, Ramona Diaz, Samira Elagoz, Sara Fattahi, Dónal Foreman, Ja’Tovia Gary, Ognjen Glavonic, Barbara Hammer, Sky Hopinka, Gürcan Keltek, Adam and Zack Khalil, Khavn, Kaltrina Krasniqi, Roberto Minervini, Terence Nance, Orwa Nyrabia, Chico Pereira, Michael Robinson, J. P. Sniadecki, Brett Story, Deborah Stratman, Maryam Tafakory, Mila Turajlic, Lynette Wallworth, Travis Wilkerson, and Shengze Zhu. Can nonfiction film be defined? How close to reality can or should documentary storytelling be, and is film and video in its less restrictive iterations “truer” than traditional narratives? How can a story be effectively conveyed? As they consider these and many other questions, these passionate, highly articulate filmmakers will inspire not only cinema enthusiasts, but activists and artists of all stripes.

What if you could trust in getting the health care you need in ways that felt good and helped you thrive? What if the health system honored and valued queer and trans people’s lives, bodies and expertise? What if LGBTQ+ communities led and organized our own health care as a form of mutual aid? What if every aspect of our health care was rooted in a commitment to our healing, pleasure and liberation? LGBTQ+ health care doesn’t look like this today, but it could. This is the care we dream of. Through a series of essays (by the author and others) and interviews, this book by the editor of the Lambda Literary Award-winning anthology The Remedy offers possibilities—grounded in historical examples, present-day experiments, and dreams of the future – for more liberatory and transformative approaches to LGBTQ+ health and healing. It challenges readers to think differently about LGBTQ+ health and asks what it would look if our health care was rooted in a commitment to the flourishing and liberation of all LGBTQ+ people. This book is a calling out, a calling in and a call to action. It is a spell of healing and transformation, rooted in love.