Dreaming across Languages and Cultures: A Study of the Literary Translations of the Hong lou meng (also called The Dream of the Red Chamber, Red Chamber Dream, or The Story of the Stone) is a groundbreaking monograph in translation studies. Integrating theory with practice, it examines, analyses, compares, and evaluates 14 versions of the greatest Chinese novel in five major European languages, namely, English, French, German, Italian, and Spanish. In this study, translation, linguistic, literary, and semiotic theories, as well as the author’s own experience of translating Dante and Shakespeare, are drawn on. Though primarily aimed at scholars specializing in translation and in Hong lou meng studies, the book also introduces students of Chinese literature, comparative literature, and cultural studies to new interdisciplinary perspectives. By illustrating salient points with lively and interesting examples, too, it enables the non-specialist to see the fascinating intricacies of language and translation, as well as the complex relationship between translation and culture. In view of its new approach to a new topic, of its many impressive insights, and, above all, of the amazing depth and breadth of its investigation, Dreaming across Languages and Cultures is truly monumental.

This fascinating book explores the bodily expression of emotion in worldwide and culture-specific contexts.

The studies presented in this volume deal with numerous and often undervalued aspects of multilingualism in Ancient Europe and the Mediterranean. Primarily, but not exclusively, they explore the impact of the great transnational languages, Greek and Latin, on numerous indigenous languages: the latter mostly disappeared apart from a number of written texts, often not well comprehensible, but at the same time provided the dominant languages with loanwords, some of them destined to enduring success. Moreover, Greek and Latin were remarkably affected by their mutual contact, with the complication that Greek was notoriously far from monolithic, and in some areas its different dialects intermingled with each other and with the local languages. The case studies of this volume were conducted in the frame of a European HERA research on Multilingualism and Minority Languages in Ancient Europe, which covered a number of very diverse areas, with an emphasis on Sicily and Southern Italy, Illyria, Epirus, Macedonia, Thrace, Egypt and Asia Minor (also in medieval and modern times). This book makes indispensable reading for anyone with an interest in multilingualism and language contact in Ancient Europe.

The Translator’s Mirror for the Romantic: Cao Xueqin’s Dream and David Hawkes’ Stone is a book that uses precious primary sources to decipher a master translator’s art in Stone, a brilliant English translation of the most famous Chinese classic novel Dream. This book demonstrates a bilingual close reading which sheds light on both the original and its translation. By dividing the process of translation into reading, writing, and revising, and involving the various aspects of Sinological research, textual criticism, recreation, and literary allusions, this book ventures to emphasise the idea of translation as a dialogue between the original and the translated text, between the translator and his former self, and a learning process both for the translator and the reader of his translation. Any student of Chinese language and literature, or Chinese–English translation, will benefit from this book; for students and scholars who want to study David Hawkes and his Stone, this book is an indispensable aid. Readers will be interested to see how a non-theoretical analysis could be used to evaluate this translation, for it makes an extremely important and useful contribution to this subject.

This is the first book to explore color history in Asia. Color is a natural phenomenon and a fundamental element of the universe, and offers a medium to communicate with others globally. It is a language of signals, such as traffic lights, signs or symbols, and an essential part of society. Color attracts people’s attention and transmits important information. As such, color language denotes all of the activities of human history, and has been associated with changes in society, economic development, and dynasties replacing the old with the new. The book brings together many elements of Chinese history with reference to the topic of ‘color’ and has evolved from the authors’ respective interests in art and design, teaching and research, consultancy and publishing. The topic will be of increasing importance in the future as a consequence of China’s increasing influence in the sphere of global culture. For practitioners of art and design, the book will be a valuable resource; for the general public, interested in the development of Chinese aesthetics over the centuries, it will provide a new perspective complimentary to existing studies about art, design and the history of the region.

Gabrielle Roy is one of the best-known figures of Québec literature, yet she spent much of the first thirty years of her life studying, working, and living in English. For Roy, as a member of Manitoba's francophone minority, bilingualism was a necessary strategy for survival and success. How did this bilingual and bicultural background help shape her work as a writer in French? The implications of her linguistic and cultural identity are explored in chapters looking at education, language, translation, and the representation of Canada's other minorities, from the immigrants in Western Canada to the Inuit of Ungava. What emerges is a new reading of Roy's work. Drawing on archival material, postcolonial theory, and translation studies, Between Languages and Cultures explores the traces and effects of Roy's intimate knowledge of English language and culture, challenging and augmenting the established view that her work is distinctly French-Canadian or Québécois.

Two English-Language Translators of Jin Ping Mei examines English translations of the Ming novel Jin Ping Mei by translators from different historical periods within the Anglophone world. Drawing upon theoretical insights from translation studies, literary criticism, and cultural studies, the book explores the treatment of salient features of the novel in translation, including cultural representation, narratological elements, gender-specific motifs, and (homo)sexual themes. Through literary re-imagining and artistic re-creation, Egerton transforms a complex and sprawling narrative into a popular modern middlebrow novel, making it readily accessible within Western genres. Roy’s interlinear and annotated translation transcends the mere retelling of a vivid story for its unwavering emphasis on every single detail of the original, becoming a portal to the Ming past. It stands as a testament to the significance of translation as a medium for understanding the legacy of the late Ming and the socio-cultural dynamics shaping that period in Chinese history. This book will be a useful reference for scholars and research students within the fields of literary translation studies and translated Chinese literature, particularly Ming- Qing fiction. The book will also appeal to students and researchers studying Jin Ping Mei’s translation and reception in the West.