His father humiliated, a teenage boy vows bloody revenge Every sports fan in New York knows Al Judge, the hard-bitten reporter whose column is the scourge of gamblers, gangsters, and corrupt players across the city. Sixteen-year-old George LaMain is Judge’s biggest fan—right up until the night he decides the writer has to die. George is in his father’s saloon, waiting for his dad to give him his birthday present: a trip to the fights at Madison Square Garden. They are about to leave when Judge demands George’s father strip and lie down on the barroom floor. George doesn’t know why, but his old man does it—and Judge beats him senseless in front of the whole bar. When he’s finished crying, George takes his father’s gun and sets out into the night. To avenge his disgraced father, he plans to gun Al Judge down. But before he can become a killer, this birthday boy will have to grow into a man.

The subjects of this book are the subjects whose subjects are themselves. Narcissus so himself himself forsook, And died to kiss his shadow in the brook. In accusing the introspective Adonis of narcissistic self-absorption, Shakespeare's Venus employs a geminative construction - 'himself himself' - that provides a keynote for this study of Renaissance reflexive subjectivity. Through close analysis of a number of Shakespearean texts - including Venus and Adonis, Romeo and Juliet, Julius Caesar, Hamlet, and Othello - his book illustrates how radical self-reflection is expressed on the Renaissance page and stage, and how representations of the two seemingly extreme figures of the narcissist and self-slaughterer are indicative of early-modern attitudes to introspection. Encompassing a broad range of philosophical, theological, poetic, and dramatic texts, this study examines period descriptions of the early-modern subject characterised by the rhetoric of reciprocation and reflection. The narcissist and the self-slaughter provide models of dialogic but self-destructive identity where private interiority is articulated in terms of self-response, but where this geminative isolation is understood as self-defeating, both selfish and suicidal. The study includes work on Renaissance revisions of Ovid, classical attitudes to suicide, the rhetoric of friendship literature, discussion of early-modern optic theory, and an extended discussion of narcissism in the epyllia tradition. Sustained textual analysis offers new readings of major Shakespearean texts, allowing familiar works of literature to be seen from the unusual and anti-social perspectives of their narcissistic and suicidal protagonists.

This project advances the existing theoretical work on the CNN effect, a claim that innovations in the speed and quality of technology create conditions in which the media acts as an independent factor with significant influence. It provides a novel interpretation of the factors that drove Western policy towards military intervention in this area.