A sizzling sequel that launches Shelta’s adventure into the Realm of the Gods. When Shelta is injured in battle, she travels to Asgard to save her unborn child. In return, the gods ask her to become the first world-weaver in ages: a dragon rider whose actions ripple through all of creation. Her mission: to shift the currents of destruction poisoning the multiverse of the World Tree. But combat training with Thor and riddles with Merlin can only go so far. Secretly, Shelta turns to Loki, a self-professed connoisseur of musicians, and trades her most vulnerable songs for a pair of enchanted blades that allow her to open portals and kill with a thought. Shelta doesn't want to be a vigilante, and she's no one's savior, but she'll do what it takes to protect her family from the schemes of the gods. This is the sequel to Falling Through the Weaving, completing the ROOTS AND STARS duology, which is part of the World Tree Chronicles. PRAISE FOR THE WORLD TREE CHRONICLES “A spellbinding, genre-bending delight for fans of romance and fantasy alike.” — Kat Turner "Myth and mortality tango at the crossroads of choice and chance." — Beth W. Patterson "Sweet and steamy with a dreamy vibe that will suck you in." — Elysia Lumen Strife "A vivid and lyrical adventure." — Halla Williams "This is some seriously good series writing. It's just remarkably well done. You will absolutely love it." — Tom Wacker

Collapse cloth--cloth that, when removed from the loom and washed, takes on an entirely different appearance as the threads draw up and create puckers. Combinations of various weaving techniques are presented alongside photos and diagrams, providing clear instructions for sewing scarves, wraps, tops, and harem-style pants made from this fluid and unusual cloth. Additional chapters describe in detail how to warp the loom and add special effects such as double weave, supplementary warps, spaced cloth, overshot, and deflected double weave. Tips for those who want to spin their own yarn for collapse projects are also included.

Covers various aspects of Bhutan's textiles and weaving heritage, from the central role of women to fibres, dyes and looms, to the functioning of beautiful cloth as an item of trade and an indicator of historical change and social identity. This book reveals the richness, originality and striking beauty of Bhutanese textiles. This volume, first published in 1994 (now reprinted in 2008) in conjunction with a special exhibition organized by the Peabody Essex Museum of Salem, Massachusetts, covers all aspects of Bhutan's textiles and weaving heritage, from

Xuanhe Catalogue of Paintings is the first complete translation of the well-known document produced at the court of Emperor Huizong (r. 1100–1125). Dated to 1120, the Catalogue is divided into ten categories of subject matter. Under Daoist and Buddhist Subjects, Figural Subjects, Architecture, Barbarian Tribes, Dragons and Fish, Landscape, Domestic and Wild Animals, Flowers and Birds, Ink Bamboo, and Vegetables and Fruit are biographies of 231 painters, ranging from famous early masters, such as Wu Daozi (ca. 685-758) and Li Cheng (919-967), to otherwise unknown artists of the Song-dynasty court, including fourteen eunuch officials and sixteen male and female members of the royal family. Titles of their pictures held in the palace collection are listed for each artist. These 6,396 paintings testify to the visual culture experienced by viewers of the twelfth century. The author's Introduction analyzes the Catalogue as a source of evidence about the formation of the Song-dynasty palace collection and argues that the majority of its pictures were already in the collection before Huizong's reign, as a result of conquest, confiscation, tribute, gift culture, collecting by earlier emperors, and the production of academy artists and regular officials at the Song court. Under Huizong's reign, around a thousand other pictures were added to the Catalogue through acquisition and reattribution. Open access edition funded by the National Endowment for the Humanities.

Open the door to the possibilities of what you can weave on your frame loom! A comprehensive guide to the frame loom, this book introduces the weaver to the basics of frame loom weaving and also more advanced techniques. Learn how to weave tapestries for wall hangings or handbags, lace for scarves and market bags, geometric shapes for alpacas and dolls, modules to sew together to make larger items, and so much more. Patterns for various weaves such as houndstooth and checkerboard are included, as well as instructions on how to adapt other weaves to the frame loom. Photo-illustrated step-by-step instructions are given for all techniques and 20 unique projects from home decor items to pouches and bags, scarves and other wearables, stuffed toys, bookmarks, and more. Looms used in the book are 6-inch, 8-inch, and 10-inch sizes, but the instructions are adaptable to any size loom. Once you know the basics, you can use your woven modules to create whatever you imagine!

Edward Power sets the reader down in the midst of a February 2017 blizzard that raked Utah’s Uinta Range as nine snowboarders made their way into the backcountry for a day of intense adventure. As the boarders were taking their first turns, expert avalanche forecaster Craig Gordon was tracking the storm and its impact, posting one of the most dire avalanche forecasts and warnings in his career. In Dragons in the Snow, Power delves into the research and science behind avalanche forecasting and rescue, weaving in the art of backcountry skiing as well as dramatic tales of avalanche accidents, rescues, and recoveries. And he paints compelling portraits of the men and women who have made the study of avalanches their life’s work. The tales told by these avalanche forecasters, as well as the stories of the backcountry riders who may "wake the dragon" make for not just a compelling read, but also a powerful tool for raising avalanche awareness in everyone who plays in the winter backcountry.

A young weaver in twelfth-century China saves her people from drought and foreign invasion by weaving the imperial dragon's robe.