At the frontiers of the Roman Empire, military settlements had a profound influence on local crafting traditions. Legions were not just fighting units - they contained a large number of craftsmen, and the fortress would have been a centre of manufacturing activity. A timber legionary fortress, for example, required vast numbers of nails, many of which would have been made by legionary smiths on site, and an army of thousands would require many more pots, shoes and tents than could be produced by local domestic potters and leather workers. But can all developments in local craft and industry be seen as a result of the appearance of the Roman army? The ten papers in this volume focus on craft production in Roman Yorkshire, and the evidence for the role of the army in local manufacturing activities. Several papers examine broad questions surrounding the organisation and scale of production in urban and rural areas. Others consider the local evidence for individual materials and production processes, including those associated with pottery, glass, copper alloys, non-ferrous metals, leather, jet, and building stone.

This work provides a survey of the jewellery of Roman Britain. Fully illustrated and accessible to both the specialist and amateur enthusiast, it surveys the full range of personal ornament worn in Britain during the Roman period, the 1st to 4th centuries AD. It emphasizes the presence of two distinct cultural and artistic traditions, the classical element introduced by the Romans and the indigeneous Celtic background. The interaction of these traditions affected all aspects of Romano-British life and is illustrated in the jewellery.; The meaning and significance of personal ornament in a wide range of cultures is discussed, including such matters as symbolism and the display of wealth and status. The principal types of Romano-British jewellery are classified in detail, drawing attention to those which can be relatively closely dated. The coverage is not restricted to precious-metal objects, but includes jewellery made of base metals and materials such as bone, jet and glass. The final chapter is devoted to the techniques of manufacture, a subject which has become better understood in recent years as a result of scientific advances. The book should appeal to anyone who practices, teaches or studies Roman archaeology, together with all those with a professional or amateur interest in the history of jewellery and design.

“Romano-Celtic Art in Northumbria” is an essay by R. G. Collingwood on the subject of early British art, focusing on examples found in northern England. Romano-Celtic culture arose in Britain under the Roman Empire after the AD 43 Roman conquest. It began as a combination of Roman culture and that of the indigenous Britons, and lasted until the 5th century and the Roman departure from Britain. This volume is highly recommended for those with an interest in British history and culture, as well as the Roman influence thereon. Robin George Collingwood, FBA (1889 – 1943) was an English historian, philosopher, and archaeologist most famous for his philosophical works including “The Principles of Art” (1938) and ”The Idea of History” (1946). Other notable works by this author include: “Religion and Philosophy” (1916), “Roman Britain” (1923), and “Speculum Mentis” (1924). Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.

The ancient Celtic world evokes debate, discussion, romanticism and mythicism. On the one hand it represents a specialist area of archaeological interest, on the other, it has a wide general appeal. The Celtic world is accessible through archaeology, history, linguistics and art history. Of these disciplines, art history offers the most direct message to a wider audience. This volume of 37 papers brings together a truly international group of pre-eminent specialists in the field of Celtic art and Celtic studies. It is a benchmark volume the like of which has not been seen since the publication of Paul Jacobsthal’s Early Celtic Art in 1944. The papers chart the history of attempts to understand Celtic art and argue for novel approaches in discussions spanning the whole of Continental Europe and the British Isles. This new body of international scholarship will give the reader a sense of the richness of the material and current debates. Artefacts of rich form and decoration, which we might call art, provide a most sensitive set of indicators of key areas of past societies, their power, politics and transformations. With its broad geographical scope, this volume offers a timely opportunity to re-assess contacts, context, transmission and meaning in Celtic art for understanding the development of European cultures, identities and economies in pre- and proto-history. Nominated for Current Archaeology Book of the Year 2016.

The visual heritage of Northern Yorkshire in the pre-Conquest period is revealed in this addition to the Corpus series. This volume surveys the sculpture in the historic North Riding of Yorkshire (excluding those parts covered in Volume three).