The Strange Case of Dr Jekyll and Mr Hyde Continues... Seven years after the death of Edward Hyde, a stylish gentleman shows up in foggy London claiming to be Dr Henry Jekyll. Only Mr Utterson, Jekyll's faithful lawyer and confidant, knows that he must be an impostor - because Jekyll was Hyde. But as the man goes about charming Jekyll's friends and reclaiming his estate, and as the bodies of potential challengers start piling up, Utterson is left fearing for his life ... and questioning his own sanity. This brilliantly imagined and beautifully written sequel to one of literature's greatest masterpieces perfectly complements the original work. And where the original was concerned with the duality of man, this sequel deals with the possibility of identity theft of the most audacious kind. Can it really be that this man who looks and acts so precisely like Dr Henry Jekyll is an imposter? Praise for Dr. Jekyll and Mr. Seek: "A strange and wondrous tale - beautifully told." LIN ANDERSON "Fiendishly ingenious." RONALD FRAME "O'Neill infuses the narrative with suspense and meticulously researched detail. A gripping novel." KAITE WELSH "A clever and entertaining sequel that will leave Stevenson fans delighted." KEVIN MacNEIL "Dazzling in its own right." LESLEY McDOWELL

In this dark, atmospheric sequel to Robert Louis Stevenson’s timeless classic, the strange case continues with the return of Dr. Jekyll . . . Seven years after the death of Edward Hyde, a stylish gentleman shows up in foggy London claiming to be Dr. Henry Jekyll. Only Mr. Utterson, Jekyll’s faithful lawyer and confidant, knows that he must be an impostor—because Jekyll was Hyde. But as the man goes about charming Jekyll’s friends and reclaiming the estate, and as the bodies of potential challengers start piling up, Utterson is left fearing for his life . . . and questioning his own sanity. This brilliantly imagined and beautifully written sequel to one of literature’s greatest masterpieces perfectly complements, as well as subverts, Stevenson’s gothic classic. And where the original was concerned with the duality of man, the sequel deals with the possibility of identity theft of the most audacious kind. Constantly threading on the blurred lines between reality and fantasy, madness and reason, self-serving delusions and brutal truths, Dr. Jekyll and Mr. Seek honors the original Stevenson with a thrilling new conclusion.

"The Waif Woman" by Robert Louis Stevenson was a short story that didn't see the light of day until two decades after Stevenson's death. The author is famed for his stories of adventure and supernatural events, however, this story was suppressed by request of the writer. Written as a magical fairytale or myth, Stevenson weaves an atmosphere in his signature style. Thus, it is fortunate that this story was found and published before it could fade into obscurity forever.

In Robert Louis Stevenson's influential novel of mad science and criminal inquiry, attorney Gabriel John Utterson comes to the aid of Dr. Henry Jekyll, an old friend, only to find himself dragged from a world of genial hospitality into London's foreboding night, which is shrouded in shadows and fog—and stalked by the deranged Edward Hyde. Utterson's quest for truth is not only a detective story laden with twists, but an intense meditation on man's inherently dualistic nature, written in a style that often combines disturbing violence with restrained language typical of the Victorian era.

“An ingenious revision” of Robert Louis Stevenson’s classic Gothic story told through the eyes of the fiend (The New York Times Book Review). Mr. Hyde is trapped, locked in Dr. Jekyll’s house, certain of his inevitable capture. As the dreadful hours pass, he has the chance, finally, to tell his side of the story—one of buried dreams and dark lusts, both liberating and obscured in the gaslit fog of Victorian London’s sordid backstreets. Summoned to life by strange potions, Hyde knows not when or how long he will have control of “the body.” When dormant, he watches Dr. Jekyll from a distance, conscious of this other, high-class life but without influence. As the experiment continues, their mutual existence is threatened, not only by the uncertainties of untested science, but also by a mysterious stalker. Hyde is being taunted—possibly framed. Girls have gone missing; a murder has been committed. And someone is always watching from the shadows. In the blur of this shared consciousness, can Hyde ever truly know if these crimes were committed by his hands? Narrated by Hyde, this serpentine tale about the nature of evil, addiction, and the duality of man “delivers a new look at this enigmatic character and intriguing possible explanations for Jekyll’s behavior” (The Washington Post, Five Best Thrillers of 2014). “Hyde brings into the light the various horrors still hidden in the dark heart of Stevenson’s classic tale . . . a blazing triumph of the gothic imagination.” —Patrick McGrath, author of Asylum “Earthy, lurid, and unsparing . . . a worthy companion to its predecessor. It’s rich in gloomy, moody atmosphere (Levine’s London has a brutal steampunk quality), and its narrator’s plight is genuinely poignant.” —The New York Times Book Review, Editors’ Choice

The book which put Stevenson's name in the mouth of the ' man in the street,' lifted him at a single bound to a place among men of the time and, by the still greater sensation which it created in America, led to the large income which soon afterwards he drew from the United States. The ear of a great public to whom his earlier writings were unknown was captured by this intense picture of the elements of good and evil in man's nature. It was hailed from pulpits and in the religious press as a great moral parable; though its moral quality, on close analysis, is seen to be more an illusion, due to the art of its writing, than the essence of the fable. Reduced to its simplest formula Jekyll and Hyde is a cry of terror at the potency for evil latent in the human soul. Such moral force as it has depends upon its assault on the nerves, not on its appeal to the heart. If not thus interpreted by the preachers of the time, it yet served the purpose of moving their hearers by the spectacle of the evil partner in the human ego, indulged in a moment ' when virtue slumbered,' coming in the end to destroy the good.