This volume examines the key representations of transgression drama produced between 1800 and 1900. Arranged in chronological order, the entries consist of plot summary (often including significant dialogue), performance data (if available), opinions by critics and scholars, and other features.

A world list of books in the English language.

This examination of Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde (1886) and its reinterpretations presents original interviews with novelists Emma Tennant and Valerie Martin, and playwright David Edgar, framed by analysis of their works. In so doing, it moves away from common division between those who write literature and those who write about literature. Its examination of Stevenson's original novel and its comprehensive survey of the history of Jekyll and Hyde reveals that these three late 20th-century writers react against the tradition of reinterpretations and recover Stevenson's structure. Arguing that their returns to a Victorian text are motivated by contemporary concerns about class and gender politics that find an apt vehicle for exploration in Stevenson's story, this book identifies a trend of neo-Victorianism...

ReAction! gives a scientist's and artist's response to the dark and bright sides of chemistry found in 140 films, most of them contemporary Hollywood feature films but also a few documentaries, shorts, silents, and international films. Even though there are some examples of screen chemistry between the actors and of behind-the-scenes special effects, this book is really about the chemistry when it is part of the narrative. It is about the dualities of Dr. Jekyll vs. inventor chemists, the invisible man vs. forensic chemists, chemical weapons vs. classroom chemistry, chemical companies that knowingly pollute the environment vs. altruistic research chemists trying to make the world a better place to live, and, finally, about people who choose to experiment with mind-altering drugs vs. the drug discovery process. Little did Jekyll know when he brought the Hyde formula to his lips that his personality split would provide the central metaphor that would come to describe chemistry in the movies. This book explores the two movie faces of this supposedly neutral science. Watching films with chemical eyes, Dr. Jekyll is recast as a chemist engaged in psychopharmaceutical research but who becomes addicted to his own formula. He is balanced by the often wacky inventor chemists who make their discoveries by trial-and-error.