Austin Davenpor's fabulous luck landed him on this earth only 11 short months after his brother, Derek, putting them in the same grade. Join Austin on his journey through the tumultuous waters of middle school as he navigates the swampy and undeodorized hallways and explores the depths of the cafeteria's seafood surprise.

Martin's lines are a brief as breath, and cloister us at home, in winter, where the tiny everyday ministrations of love and parenthood are magnified and abundant with meaning. I wanted to tell you something About the shipwreck Of fatherhood, of motherhood, the coarse Sugar leaving us Shook. Soft wreck of the baby Greeting each kiss With an open And drooling mouth, reflex We don't understand Heart-blip stuck Tipping my finger On the keys, speeding Memory of yesterday out The window I'm Pushing barely open Chris Martin is the author of American Music (Copper Canyon, 2007) and Becoming Weather (Coffee House Press, 2011).

“An astonishingly beautiful book. The best gay novel written by anyone of our generation.”—Harper’s “Through the sweat and haze of longing come piercing insights – about the closeness of gay male friendship, about the vanity and imperfections of men. The more one reads the novel, we realise that what Holleran has given us is our very own queer (queerer?) Great Gatsby: its decadence, its fear, its violence, its ecstasy, its transience.”—The Guardian Andrew Holleran’s landmark novel of a young man's search for love and companionship in New York’s emerging gay world in the 1970s, with a new introduction by Garth Greenwell. Young, astonishingly beautiful, and tired of living a lie, Anthony Malone trades life as a seemingly straight small-town lawyer for the decadence of New York’s emerging gay scene—an odyssey that takes him from Manhattan’s Everard baths and after hour discos, to lavish orgies on Fire Island and parks after dark. Rescuing Malone from a possessive lover and shepherding him through his immersion in this life of fierce joys and cheap truths is the flamboyant Sutherland, a high-camp quintessential queen. But for Malone, the endless city nights and Fire Island days are close to burning out, and despite Sutherland’s abundant attentiveness and glittering world-weary wisdom, Malone soon realizes what he is truly looking for may not be found in these beautiful places, where life is crowded, and people are forever outrunning their own desires and death.

An unexpected detour can change the course of our lives forever, and, for white American anthropologist Margaret Willson, a stopover in Brazil led to immersion in a kaleidoscopic world of street urchins, capoeiristas, drug dealers, and wise teachers. She and African Brazilian activist Rita Conceicao joined forces to break the cycles of poverty and violence around them by pledging local residents they would create a top-quality educational program for girls. From 1991 to the graduation of Bahia Street's first college-bound graduate in 2005, Willson and Conceicao 's adventure took them to the shantytowns of Brazil's Northeast, high-society London, and urban Seattle. In a narrative brimming with honesty and grace, Dance Lest We All Fall Down unfolds the story of this remarkable alliance, showing how friendship, when combined with courage, insight, and passion, can transform dreams of a better world into reality. Watch the book trailer: https://www.youtube.com/watch?v=KVXj44o3rVE

From the author of The Essential Guide to Irish Flute and Tin Whistle comes a work for players of all melody instruments that probes deeply into the art of variation in traditional Irish dance music. At the heart of Down the Back Lane are the accompanying audio recordings. The author plays eight traditional tunes on Irish flute and tin whistle, each three timesthrough, complete with beautiful variations. He notates each performance inmeticulous detail and offers insightful comments on each one. We get a rare and intimate view into the intuitive musical mind of a masterful player, along with extensive information on ornamentation, phrasing, articulation, dynamics and much more.Though the author plays the tunes on flute and whistle, he has carefully designed the book to be useful to players of all melody instruments.

Vol. for 1958 includes "Anthology of poems from the seventeen previously published Braithwaite anthologies."