"First reconstructs the culutral matrix of African American religion, a total way of life formed by Protestantism, American culture, and the institution of slavery (1619-1865). Whites from Europe and Blacks from Africa arrived with specific, differing views of God, faith, and humanity. Hopkins recreates their worldviews and shows how white theology sought to remake African Americans into naturally inferior beings divinely ordained into subservience. The counter voice of enslaved blacks is the birth of the Spirit of liberation." -- Back cover.

Sprightly illustrations set the mood for a rhythmic text that follows nature's course as it demonstrates how seeds in a garden grow into a final feast of backyard bounty. Full color.

This book is a collection of articles which deal with adpositions in a variety of languages and from a number of perspectives. Not only does the book cover what is traditionally treated in studies from a European and Semitic orientation – prepositions, but it presents studies on postpositions, too. The main languages dealt with in the collection are English, French and Hebrew, but there are articles devoted to other languages including Korean, Turkic languages, Armenian, Russian and Ukrainian. Adpositions are treated by some authors from a semantic perspective, by others as syntactic units, and a third group of authors distinguishes adpositions from the point of view of their pragmatic function. This work is of interest to students and researchers in theoretical and applied linguistics, as well as to those who have a special interest in any of the languages treated.

"This book vividly captures vital and imaginative lessons from one of the most influential and joyous traditions of contemporary actor training. Any actor or teacher, who is devoted to the transformational power of the theatre, will want to return to these pages again and again, finding in them not only the work to be done, but also the inspiration to do it." James Bundy - Dean, Yale School of Drama; Artistic Director, Yale Repertory Theatre Movement training techniques allow actors to acquire the physical body language and non-verbal skills to clearly express the ideas and emotions of their characters. The techniques contained in this book help actors to develop awareness of their own natural posture, walk and rhythm, release the physical imagination and transform into the characters they are portraying, on stage, in film or on television. Movement Training for Actors provides a practical workbook approach to the core fundamentals of movement, fusing together the work of the key practitioners: Sigurd Leeder, Kurt Jooss, Rudolf Laban, Trish Arnold, Litz Pisk, F. M. Alexander, Moshé Feldenkrais, Jerzy Growtowski, Jacques Lecoq and Belinda Quirey. Chapters include Games, Pure Movement, Historical Dance, Acrobatics and Animal Study. The book is illustrated with photographs throughout and contains a DVD featuring over an hour of movement exercises further demonstrating the techniques. Movement Training for Actors is a masterclass on movement written by experienced coach, Jackie Snow and a culmination of her many years of teaching and coaching professionals. The highly practical approach will suit actors of all abilities as well as serving as an inspirational teaching guide.

You've never dreamed of people acting this idiotic non-stop for days on end as their friends cheered them on time-and-time-again.

First Published in 1951, A Soviet Theatre Sketch Book presents Joseph Macleod’s take on Russian Theatre in a semi-fictional way to show the effect of the productions upon different audiences. By using his pen as an artist uses his pencil, he gives, for the first time, an account of theatre audiences as composed of individual human beings and is able to paint the scenes vividly without neglecting the technical methods of the Soviet stage. By supple use of the sketch- book form, theatres, theatre-schools, actors, and actresses including some no longer appearing are painted into an all-over view of Russian and Ukrainian post-war life. In this book the author writes less immediately about the Soviet Union and does not depend on topicality or stop press news. Joseph Macleod and his wife visited the Soviet Union as the guests of the Russian and Ukrainian Societies for Cultural Relations with Foreign Countries. This book will be of interest to scholars and researchers of theatre, history of theatre, and performance studies.