This volume reports on a series of fieldwork projects carried out in the Tregurra Valley, to the east of Truro, Cornwall between 2009-2015. The fieldwork led to the identification of a large number of pits and hearths across the site, the majority of which that have proved dateable spanning the Early Neolithic to the end of the Early Bronze Age.

Later prehistoric settlement in Cornwall and the Isles of Scilly reports on the excavation between 1996 and 2014 of five later prehistoric and Roman period settlements. All the sites were multi-phased, revealing similar and contrasting occupational patterns stretching from the Bronze Age into the Iron Age and beyond.

Following its appearance, arguably in Orkney in the 32nd century cal BC, Grooved Ware soon became widespread across Britain and Ireland, seemingly replacing earlier pottery styles and being deposited in contexts as varied as simple pits, passage tombs, ceremonial timber circles and henge monuments. As a result, Grooved Ware lies at the heart of many ongoing debates concerning social and economic developments at the end of the 4th and during the first half of the 3rd millennia cal BC. Stemming from the 2022 Neolithic Studies Group autumn conference, and following on from Cleal and MacSween’s 1999 NSG volume on Grooved Ware, this book presents a series of papers from researchers specializing in Grooved Ware pottery and the British and Irish Neolithic, offering both regional and thematic perspectives on this important ceramic tradition. Chapters cover the development of Grooved Ware in Orkney as well as the timing and nature of its appearance, development, and subsequent demise in different regions of Britain and Ireland. In addition, thematic papers consider what Grooved Ware can contribute to understandings of inter-regional interactions during the earlier 3rd millennium cal BC, the possible meaning of Grooved Ware’s decorative motifs, and the thorny issue of the validity and significance of the various Grooved Ware sub-styles. The book will be of great value not only to archaeologists and students with a specific interest in Grooved Ware pottery but also to those with a more general interest in the development of the Neolithic of Britain and Ireland.

This volume presents the results of archaeological investigations on the Newquay Strategic Road and goes on to discuss the complexity of the archaeology, review the evidence for ‘special’ deposits and explore evidence for the deliberate closure of buildings especially in later prehistoric and Roman period Cornwall.

Between 2018 and 2019, Cornwall Archaeological Unit undertook two projects at Mount’s Bay, Penwith. The first involved the excavation of a Bronze Age barrow and the second, environmental augur core sampling in Marazion Marsh. Both sites lie within an area of coastal hinterland, which has been subject to incursions by rising sea levels. Since the Mesolithic, an area of approximately 1 kilometer in extent between the current shoreline and St Michael’s Mount has been lost to gradually rising sea levels. With current climate change, this process is likely to occur at an increasing rate. Given their proximity, the opportunity was taken to draw the results from the two projects together along with all available existing environmental data from the area. For the first time, the results from all previous palaeoenvironmental projects in the Mount’s Bay area have been brought together. Evidence for coastal change and sea level rise is discussed and a model for the drowning landscape presented. In addition to modeling the loss of land and describing the environment over time, social responses including the wider context of the Bronze Age barrow and later Bronze Age metalwork deposition in the Mount’s Bay environs are considered. The effects of the gradual loss of land are discussed in terms of how change is perceived, its effects on community resilience, and the construction of social memory and narratives of place. The volume presents the potential for nationally significant environmental data to survive, which demonstrates the long-term effects of climate change and rising sea levels, and peoples’ responses to these over time.

This book offers a groundbreaking analysis of Neolithic art and architecture in Orkney, focussing upon the incredible collection of hundreds of decorated stones being revealed by the current excavations at the Ness of Brodgar.

The Social Context of Technology explores non-ferrous metalworking in Britain and Ireland during the Bronze and Iron Ages (c. 2500 BC to 1st century AD). Bronze-working dominates the evidence, though the crafting of other non-ferrous metals – including gold, silver, tin and lead – is also considered. Metalwork has long played a central role in accounts of European later prehistory. Metals were important for making functional tools, and elaborate decorated objects that were symbols of prestige. Metalwork could be treated in special or ritualised ways, by being accumulated in large hoards or placed in rivers or bogs. But who made these objects? Prehistoric smiths have been portrayed by some as prosaic technicians, and by others as mystical figures akin to magicians. They have been seen both as independent, travelling ‘entrepreneurs’, and as the dependents of elite patrons. Hitherto, these competing models have not been tested through a comprehensive assessment of the archaeological evidence for metalworking. This volume fills that gap, with analysis focused on metalworking tools and waste, such as crucibles, moulds, casting debris and smithing implements. The find contexts of these objects are examined, both to identify places where metalworking occurred, and to investigate the cultural practices behind the deposition of metalworking debris. The key questions are: what was the social context of this craft, and what was its ideological significance? How did this vary regionally and change over time? As well as elucidating a key aspect of later prehistoric life in Britain and Ireland, this important examination by leading scholars contributes to broader debates on material culture and the social role of craft.