A play in two acts.

[19 September-5 October 1985, Space Theatre. cf poster ZPS 1473.]

Palmer clearly states that his purpose is to explain 1the ways of critics to theatre practitioners, the ways of theatre to inexperienced reviewers, and the dynamic convergence of theatre and critic to anyone interested in theatre.' . . . The work is a well-written `primer' for writers and it will be useful primarily to performers who object to unfavorable `criticsm' without understanding the nature and purpose of reviewing. Accessible to general readers and undergraduates. Choice Palmer begins with an examination of the theatrical review as a medium for informing and entertaining theatregoers, documenting events of artistic of community importance, and supporting theatre through critical evaluation and publicity. He next comments on how journalistic pressures affect reviewers. Citing brief examples from hundreds of reviews, the author devotes a chapter to each of the elements that needs to be covered in a review, including performers, script, direction, music, and choreography, together with stage and lighting design and other physical aspects of the production. The final chapter develops criteria for assessing the strengths and weaknesses of a theatrical review, based on aesthetic standards, the cultural tastes of theatregoers, and the interests of the community. Palmer's experience as both a theatre professional and a journalist gives him an intimate understanding of the antagonism that often develops between reviewers and those who feel themselves to be the target of irresponsible criticism. His book provides a clear perspective on theatrical matters and guidelines that will help to improve standards of reviewing and create an appreciation of the essential relationship between the theatre and its critics.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Journey To Genoa is based on the remarkable lives of Benjamin T. and Jane Jones who along with their children, migrate to America on the Buena Vista, the first Latter Day Saints or Mormon ship to sail from Wales to America with converts in 1849. Two days before the ship docks in New Orleans, the Jones family, having exposed the Mormon practices of communicating with the spirits and polygamy, is excommunicated by the Latter Day Saints. Follow their journey as they make their way alone in a strange land starting in New Orleans, then working their way West to St. Louis, where the tragedy of the cholera claims the lives of three family members, then across the plains where they encounter hostile Indians, violent weather and the near death of their infant daughter. In Salt Lake City, they again confront the Mormon hierarchy. Prophet and Territorial Governor, Brigham Young throws the five Jones men in the stockade. Persuaded by the women in the family, the US Cavalry not only rescues the men, but escorts the family out of the Valley towards the Gold Fields of California. Much has been written about the soiled doves of the Gold Rush, but little has been written about the respectable women who joined their husbands with their families in the Gold Fields. The Jones women take advantage of the laws of their new country that enabled them to own businesses in their own name, not just their husbands, one of which is a partnership with Levi Strauss in the beginning of his Levi pants empire. Eighteen months later their success rivals that of their husbands in the Gold Fields. With their new found wealth, they cross back across the Sierra and establish a home in the rich Carson Valley, Utah Territory. There they are part of the founding of the Nevada Territory and the State of Nevada.

Hedwig and the Angry Inch, “the best rock musical ever†? (Rolling Stone) follows the journey of “internationally ignored song stylist†? Hedwig Schmidt, victim of a botched sex-change operation, as dazzlingly recounted by Hedwig (née Hansel) herself in the form of a lounge act, backed by the rockband The Angry Inch, and transported to the Belasco Theatre “for one night only†? and taking over the set for Hurt Locker: The Musical. This new edition contains the updated book and lyrics from the smash Broadway production starring Neil Patrick Harris of John Cameron Mitchell and Stephen Trask’s landmark American musical.