The first book of its kind, Doubly Erased is a comprehensive study of the rich tradition of LGBTQ themes and characters in Appalachian novels, memoirs, poetry, drama, and film. Appalachia has long been seen as homogenous and tradition-bound. Allison E. Carey helps to remedy this misunderstanding, arguing that it has led to LGBTQ Appalachian authors being doubly erased—routinely overlooked both within United States literature because they are Appalachian and within the Appalachian literary tradition because they are queer. In exploring motifs of visibility, silence, storytelling, home, food, and more, Carey brings the full significance and range of LGBTQ Appalachian literature into relief. Dorothy Allison's Bastard Out of Carolina and Alison Bechdel's Fun Home are considered alongside works by Maggie Anderson, doris davenport, Jeff Mann, Lisa Alther, Julia Watts, Fenton Johnson, and Silas House, as well as filmmaker Beth Stephens. While primarily focused on 1976 to 2020, Doubly Erased also looks back to the region's literary "elders," thoughtfully mapping the place of sexuality in the lives and works of George Scarbrough, Byron Herbert Reece, and James Still.

"Sometimes I think everyone would be better off if I'd never existed in the first place."Nothing's going right for Maxwell Beckett. He's being blamed for his best friend's bloody nose -- it was an accident! -- his parents can't stop shouting at each other, and he just broke his neighbor's bright pink flamingo lawn ornament. So when Maxwell turns off the power in his school during a giant fundraiser, it's the last straw. He's sure that now the whole town hates him.Maxwell is sick and tired of getting things wrong. He wishes he had never been born. And then... his wish comes true.He's been erased.Though Maxwell can walk through the world, nobody recognizes him. Even his own parents don't know him! Every impact he's ever had on his town is gone. But the world might not actually be a better place without Maxwell in it. Can he find a way back in, or is it too late?With echoes of It's a Wonderful Life, this is a humorous and poignant book about the positive impact each of us has on our community and on the people who love us.

They thought they had escaped. They were wrong. After fleeing the Branch with Sam, Cas, and Nick, Anna is learning how to survive in hiding, following Sam's rules: Don't draw attention to yourself. Always carry a weapon. Know your surroundings. Watch your back. When memories from Anna's old life begin to resurface--and a figure from her childhood reappears--Anna's loyalties are tested. Is it a Branch set-up, or could it be the reunion Anna has hoped for? Ultimately, the answers hinge on one question: What was the real reason her memories were erased in the first place? Jennifer Rush delivers a thrilling sequel to Altered in a novel packed with mysteries, lies, and surprises that are sure to keep readers guessing until the last page is turned.

Based on five years of investigative reporting and research into forensic psychology and criminology, Erased presents an original profile of a widespread and previously unrecognized type of murder: not a “hot-blooded,” spur-of-the-moment crime of passion, as domestic homicide is commonly viewed, but a cold-blooded, carefully planned and methodically executed form of “erasure.” These crimes are often committed by men with no criminal record or history of violence whatsoever, men leading functional and often successful lives until the moment they kill the women, and sometimes children, they claimed to love. A surprising number go on to kill a second or even third wife or girlfriend, often in exactly the same way. In more than fifty chilling case studies, Marilee Strong examines the strange and complex psychology that drives these killers—from the murder a century ago that inspired the novel An American Tragedy to Scott Peterson, Mark Hacking, Jeffrey MacDonald, Ira Einhorn, Charles Stuart, Robert Durst, Michael White, Barton Corbin, and many others. Erased also looks at how these men manipulate the legal system and exploit loopholes in missing persons procedures and death investigation, exposing how easy it can be to get away with murder.

Medieval Romance in Context is a clear, accessible and concise introduction to medieval English verse romantic texts and their wider contexts. It begins by introducing key issues and events that impacted on romance writing and its reception such as chivalric ideals, the Black Death, wars and 'Englishness' as well as key literary issues such as medieval manuscript production and its transmission. Close readings of key texts - including Sir Gawain and the Green Knight, Breton lays and Chaucer's The Man of Law's Tale - highlight generic features and issues like family drama, space and time, and nationhood. The final section introduces key critical interpretations from different perspectives including gender and queer theory, and post-colonialism in medieval studies. A chapter on afterlives and adaptations explores reinterpretations of medieval romance and the Arthurian cycles in a range of popular texts and narratives from Doctor Who to Batman. 'Review, Reading and Research' sections give suggestions for further reading, discussion and research. Introducing texts, contexts and criticism, this is a lively and up-to-date resource for anyone studying Medieval Romance.

Looks can be deceiving, and in a society where one's status and access to opportunity are largely attendant on physical appearance, the issue of how difference is constructed and interpreted, embraced or effaced, is of tremendous import. Lisa Walker examines this issue with a focus on the questions of what it means to look like a lesbian, and what it means to be a lesbian but not to look like one. She analyzes the historical production of the lesbian body as marked, and studies how lesbians have used the frequent analogy between racial difference and sexual orientation to craft, emphasize, or deny physical difference. In particular, she explores the implications of a predominantly visible model of sexual identity for the feminine lesbian, who is both marked and unmarked, desired and disavowed. Walker's textual analysis cuts across a variety of genres, including modernist fiction such as The Well of Loneliness and Wide Sargasso Sea, pulp fiction of the Harlem Renaissance, the 1950s and the 1960s, post-modern literature as Michelle Cliff's Abeng, and queer theory. In the book's final chapter, "How to Recognize a Lesbian," Walker argues that strategies of visibility are at times deconstructed, at times reinscribed within contemporary lesbian-feminist theory.