Dotawo: A Journal of Nubian Studies offers a platform in which the old meets the new, in which archaeological, papyrological, and philological research into Meroitic, Old Nubian, Coptic, Greek, and Arabic sources confront current investigations in modern anthropology and ethnography, Nilo-Saharan linguistics, and the critical and theoretical approaches of postcolonial and African studies. Dotawo gives a common home to the past, present, and future of one of the richest areas of research in African studies. It offers a crossroads where papyrus can meet the internet, scribes meet critical thinkers, and the promises of growing nations meet the accomplishments of older kingdoms.Bringing together a collection of articles that were first presented as papers at the International Medieval Congress at the University of Leeds in 2016 and additional articles, the sixth volume of Dotawo showcases a diverse richness of topics concerning Nubia. The articles within this volume attest to the cultural, linguistic, geographic, and demographic diversity witnessed throughout Nubian history nationally and internationally amongst its neighbours, both near and far.

This history-rich volume details the sociopolitical, economic, and artistic aspects of African kingdoms from the earliest times to the second half of the 19th century. Africa has a long and fascinating history and is a place of growing importance in the world history curriculum. This detailed encyclopedia covers the history of African kingdoms from antiquity through the mid-19th century, tracing the dynasties' ties to modern globalization and influences on world culture before, during, and after the demise of the slave trade. Along with an exploration of African heritage, this reference is rich with firsthand accounts of Africa through the oral traditions of its people and the written journals of European explorers, missionaries, and travelers who visited Africa from the 15th century and onward. Alphabetically arranged entries cover a particular kingdom and feature information on the economic, cultural, religious, political, social, and environmental history of the regime. The content references popular culture, movies, and art that present contemporary reenactments of kingdoms, emphasizing the importance of history in shaping modern ideas. Other features include primary source documents, a selected bibliography of print and electronic resources, and dozens of sidebars containing key facts and interesting trivia.

The Old Nubian Texts from Attiri is the first publication in the Dotawo: Monographs series. It presents heretofore unpublished material: an edition of a series of manuscripts discovered during the Aswan High Dam campaign at the site of Attiri, a rocky island in the Batn el-Hajjar region in Sudan, and does so in an innovative way, through an intensive collaboration of the editors under the name of the Attiri Collaborative. By bringing together their diverse backgrounds in linguistics, archeology, Bible studies, history, anthropology, and philology, the editors hope to have provided an example of a new model of collective manuscript editing and the results such collaboration can attain. The collection consists of 15 manuscript fragments that were all written in Old Nubian. Among these manuscripts special mention should be made of two parchment leaves from a codex dedicated to works on the Archangel Michael, a lectionary containing fragments from the Gospel of Matthew and the Second Letter to the Corinthians, as well as a rare letter written on a leather sheet.

The Historical Dictionary of Ancient and Medieval Nubia covers the period from the Paleolithic, all the periods of ancient Nubia (Predynastic, Kerma, Dynasty XXV, Napatan, Meroitic, Post-Meroitic) and to the end of medieval Christianity in Nubia (Sudan). This resource focuses on Nubian history through a Nubian perspective, rather than on the more common Egypto-centrism perspective, and the coverage is based on the latest and best archaeological and epigraphic evidence. Newly created maps of the general area and its specific regions and place names and a photospread showing important related features of the region are included. A detailed chronology provides a timeline of historical events, and an introductory narrative shapes the overall history and leads to the main body of the work in the form of a cross-referenced dictionary. The descriptive entries cover the main features of the region in the various periods that are key not only to Nubian events, but also to the important interactions they had with Egypt to the north. Nine appendices and an extensive bibliography conclude this work. Lobban has been teaching Nubian studies in undergraduate classrooms for thirty years, and this book is a product of his hands-on experiences as well as extensive anthropological fieldwork and travel in Sudanese and Egyptian Nubia.

The first full-length study of the social and economic history of medieval Nubia, this book uses unpublished indigenous Old Nubian documentary sources to reveal a complex society that blended Greco-Roman legal traditions with African festive practices.

Stitched together over five years of journaling, Obiter Dicta is a commonplace book of freewheeling explorations representing the transcription of a dozen notebooks, since painstakingly reimagined for publication. Organized after Theodor Adorno's Minima Moralia, this unschooled exercise in aesthetic thought--gleefully dilettantish, oftentimes dangerously close to the epigrammatic--interrogates an array of subject matter (although inescapably circling back to the curiously resemblant histories of Western visual art and instrumental music) through the lens of drive-by speculation. Erick Verran's approach to philosophical inquiry follows the brute-force literary technique of Jacques Derrida to exhaustively favor the material grammar of a signifier over hand-me-down meaning, juxtaposing outer semblances with their buried systems and our etched-in-stone intuitions about color and illusion, shape and value, with lessons stolen from seemingly unrelatable disciplines. Interlarded with extracts of Ludwig Wittgenstein but also Wallace Stevens, Cormac McCarthy as well as Roland Barthes, this cache of incidental remarks eschews what's granular for the biggest picture available, leaving below the hyper-specialized fields of academia for a bird's-eye view of their crop circles. Obiter Dicta is an unapologetic experiment in intellectual dot-connecting that challenges much long-standing wisdom about everything from illuminated manuscripts to Minecraft and the evolution of European music with lyrical brevity; that is, before jumping to the next topic.