In order to protect her, Dora's parents put anything that might frighten or hurt her into a box and tell her never to open it, but when she eventually does, her life is enriched by what she finds.

Putting food and theatre into direct conversation, this volume focuses on how food and theatre have operated for centuries as partners in the performative, symbolic, and literary making of meaning. Through case studies, literary analyses, and performance critiques, contributors examine theatrical work from China, Japan, India, Greece, Italy, France, Germany, England, the United States, Chile, Argentina, and Zimbabwe, addressing work from classical, popular, and contemporary theatre practices. The investigation of uses of food across media and artistic genres is a burgeoning area of scholarly investigation, yet regarding representation and symbolism, literature and film have received more attention than theatre, while performance studies scholars have taken the lead in examining the performative aspects of food events. This collection looks across dramatic genres, historical periods, and cultural contexts, and at food in all of its socio-political, material complexity to examine the particular problems and potentials of invoking and using food in live theatre. The volume considers food as a transhistorical, global phenomenon across theatre genres, addressing the explosion of food studies at the end of the twentieth century that has shown how food is a crucial aspect of cultural identity.

At head of title: Nickelodeon Dora the explorer.

Be careful what you wish for, because you just might get it. That's a lesson Dora learns the hard way. She inherits a magic box that grants wishes, but always with strange side effects and unintended consequences. For instance, it quite unexpectedly gives her a gigantic penis. At first she is mortified and hides her magic sex organ as best she can. Eventually, however, Dora learns that unintended consequences aren't necessarily bad. A huge dick can also be a lot of fun. It can even point the way to love. This short novel contains scenes of explicit sex and is intended for adults only. [40,000 words]

The case of the patient whom Freud immortalized as Dora is regarded as a landmark in the evolution of psychoanalytic theory and technique, as a graphic demonstration of psychosomatics and the therapeutic significance of dreams. Now, in this brilliant book, Patrick Mahony claims that the case study is not a model of treatment but a remarkable exhibition of the rejection of a patient by a clinician, an inkblot test of Freud's misapprehensions about female sexuality and adolescence. Combining psychoanalytic, historical, and textual approaches, Mahony makes us look at the famous case history in a new way. He maps out in detail how Freud neglected much significant data, and he traces the clinical impact of Freud's undigested friendship with Fliess. Mahony also sheds fresh light on Dora's bisexuality, transference, trauma, and symptoms and uncovers the deeper, problematic meaning of Dora's dreams. Through his close textual analysis, Mahony shows that this case history is a specimen of symptomatic writing and evidence of Freud's countertransferential impasse. Mahony's book testifies to the fact that any serious study of Freud must not be limited to the Standard Edition of his works.

WHEN DORA, ELENA’S older sister, is diagnosed with depression and has to be admitted to the hospital, Elena can’t seem to make sense of their lives anymore. At school, the only people who acknowledge Elena are Dora’s friends and Jimmy Zenk—who failed at least one grade and wears blackevery day of the week. And at home, Elena’s parents keep arguing with each other. Elena will do anything to help her sister get better and get their lives back to normal—even when the responsibility becomes too much to bear.