This book depicts a collection of vintage doors and windows from Antigua Guatemala.

This volume uses archaeological and documentary evidence to reconstruct daily life at Betty’s Hope plantation on the island of Antigua, one of the largest sugar plantations in the Caribbean. It demonstrates the rich information that the multidisciplinary approach of contemporary historical archaeology can offer when assessing the long-term impacts of sugarcane agriculture on the region and its people. Drawing on ten years of research at the 300-year-old site, the researchers uncover the plantation’s inner workings and its connections to broader historical developments in the Atlantic World. Excavations at the Great House reveal similarities to other British colonial sites, and historical records reveal the owners’ involvement in the Atlantic slave trade and in the trade of rum and other commodities. Artifacts uncovered from the slave quarters—ceramic tokens, repurposed bottle glass, and hundreds of Afro-Antiguan pottery sherds—speak to the agency of enslaved peoples in the face of harsh living conditions. Contributors also use ethnographic field data collected from interviews with contemporary farmers, as well as soil analysis to demonstrate how three centuries of sugarcane monocropping created a complicated legacy of soil depletion. Today tourism has long surpassed sugar as Antigua’s primary economic driver. Looking at visitor exhibits and new technologies for exploring and interpreting the site, the volume discusses best practices in cultural heritage management at Betty’s Hope and other locations that are home to contested historical narratives of a colonial past. A volume in the Florida Museum of Natural History: Ripley P. Bullen Series

This book is intended for persons living in Antigua in general but more particularly for those living in All Saints at present and to give some historical background of the All Saints I knew growing up there during the nineteen forties to the late sixties. The vast developments which have taken place on all sides since then have changed the features of the village altogether. It should not be regarded as a complete history of All Saints of the Forties and Sixties, but recollections only, of this Author. I trust that it will trigger some interest, arouse curiosity to the extent that it will encourage someone to do some research and pick up from where I have left off.

Covers colonial architecture in the two westernmost provinces of the Reino de Guatemala: Audiencia & Capitania General -- a region largely isolated from the rest of Central America & Mexico until recent times. The buildings of this region (known as Chiapas) reflect the soc. that produced them: the geographical setting, the conquest & Christianization of the natives, & the ethnic composition of the population. 47 buildings are discussed supported by material from contemporary sources as well as by photos & measurements gathered on the sites. This catalog of archival texts will be useful not only to historians of art & architecture, but also to archaeologists, anthropologists, & ethnohistorians working in Chiapas. Photos & drawings.

This intricate time traveling comic thriller by the British master of farcical comedy delighted London and New York audiences. A London sex specialist from the future stumbles into a murder plot that sends her, compliments of a unique set of hotel doors, traveling back in time. She and two women who were murdered in 1998 and 1978 race back and forth in time trying to rewrite history and prevent their own violent ends. The frantic race begins when Poopay is hired for an evening at the Regal Hotel by an old man who eschews a fling in favor of confessing his role in the demise of his wives. Now a target, Poopay flees into the vestibule and somehow triggers the time machine. -- Publisher's website.