The Doom Patrol takes another typically strange day in stride as they move into a bizarre new headquarters, gain two new members, and try to cope with the pre-teen menace called the Wild Girls.

Larry Trainor tries to regain control of the Negative Energy—but will he end up killing Val Vostok in the process?

Cliff Steele remembers battles and picnics with Crazy Jane; the Bandage Twins recall wild parties with JFK; Dorothy recollects romantic love affairs. But did any of this really happen? It's the return of False Memory, confusing everyone in the Doom Patrol except for the Head.

The groundbreaking series from Grant Morrison that led American comics in a wholly unexpected direction. Originally conceived in the 1960s by the visionary team of writer Arnold Drake and artist Bruno Premiani, the Doom Patrol was reborn a generation later through Grant Morrison’s singular imagination. Though they are super-powered beings, and though their foes are bent on world domination, convention ends there. Shunned as freaks and outcasts, and tempered by loss and insanity, this band of misfits faces threats so mystifying in nature and so corrupted in motive that reality itself threatens to fall apart around them-but it’s still all in a day’s work for the Doom Patrol. Written by Grant Morrison and featuring art by Richard Case, John Nyberg, Doug Braithwaite, Scott Hanna and Carlos Garzón, DOOM PATROL BOOK ONE collects issues #19-34 and includes introductions by Morrison and editor Tom Peyer.

For the world's strangest heroes, staving off the annihilation of free will or the reformatting of the universe into an artistic statement is all in a day's work -- not to mention the everyday assassination attempts and visits from Satan.

Science-fiction author Rachel Pollack brings her unique and inventive sensibility to DC’s weirdest super-team! This massive hardcover collects her entire Doom Patrol run for the first time. Starting in 1989, Doom Patrol evolved into something truly bizarre—and brilliant—with some of the most unique ideas in fiction given shape. The book was part of a wave of unbridled creativity that helped inspire the creation of DC’s groundbreaking Vertigo imprint, and its impact is still felt today in the HBO Max Doom Patrol original series. In 1993, writer Rachel Pollack took over Doom Patrol from Grant Morrison, and quickly made the title her own—retaining its offbeat spirit while pushing its characters in new directions, and tackling important social issues in the Doom Patrol’s thoroughly unconventional way. This hardcover omnibus is the first-ever collection of Pollack’s run on Doom Patrol. In these stories, the Doom Patrol must pull themselves together yet again as they move into a bizarre new headquarters, gain two new members and try to cope with the preteen menace known as the Wild Girls! Then, artist Ted McKeever brings his surreal sensibility to the series, bringing it to a fittingly unique conclusion. This volume collects Doom Patrol #64-87, Doom Patrol Annual #2, Totems #1, and Vertigo Jam #1.

Marvel Comics in the 1970s explores a forgotten chapter in the story of the rise of comics as an art form. Bridging Marvel's dizzying innovations and the birth of the underground comics scene in the 1960s and the rise of the prestige graphic novel and postmodern superheroics in the 1980s, Eliot Borenstein reveals a generation of comic book writers whose work at Marvel in the 1970s established their own authorial voice within the strictures of corporate comics. Through a diverse cast of heroes (and the occasional antihero)—Black Panther, Shang-Chi, Deathlok, Dracula, Killraven, Man-Thing, and Howard the Duck—writers such as Steve Gerber, Doug Moench, and Don McGregor made unprecedented strides in exploring their characters' inner lives. Visually, dynamic action was still essential, but the real excitement was taking place inside their heroes' heads. Marvel Comics in the 1970s highlights the brilliant and sometimes gloriously imperfect creations that laid the groundwork for the medium's later artistic achievements and the broader acceptance of comic books in the cultural landscape today.