The Doom Patrol begins to pull itself together yet again as Niles Caulder, the beheaded Chief, is reborn and rechristened.

Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world. Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability. The chapters focus on lesser-known characters—such as Echo, Omega the Unknown, and the Silver Scorpion—as well as the famous Barbara Gordon and the protagonist of the acclaimed series Hawkeye, whose superheroic uncanniness provides a counterpoint to constructs of normalcy. Several essays explore how superhero comics can provide a vocabulary and discourse for conceptualizing disability more broadly. Thoughtful and challenging, this eye-opening examination of superhero comics breaks new ground in disability studies and scholarship in popular culture. In addition to the editors, the contributors are Sarah Bowden, Charlie Christie, Sarah Gibbons, Andrew Godfrey-Meers, Marit Hanson, Charles Hatfield, Naja Later, Lauren O’Connor, Daniel J. O'Rourke, Daniel Pinti, Lauranne Poharec, and Deleasa Randall-Griffiths.

Packed with essential information, here is the guide collectibles fans are scrambling for, the gaming card invasion, industry highlights, and the most comprehensive price guide on back issue comics ever put into print. Includes invaluable information on building a collection, condition grading, and collector terminology. (Antiques/Collectibles)

Born in the South Bronx to Puerto Rican parents, artist and writer George Pérez (1954–2022) cut his teeth in the 1970s as an artist at Marvel who worked on lesser titles like The Deadly Hands of Kung Fu and Creatures on the Loose, and then mainstays like Fantastic Four and The Avengers. In the 1980s, Pérez jumped ship to DC where he helped turn The New Teen Titans into a top-selling title and cocreated Crisis on Infinite Earths, which marked the publisher’s fiftieth anniversary and consolidated its sprawling universe. As writer and artist, Pérez relaunched DC’s Wonder Woman, a run that later inspired much of the 2017 film. Though Pérez’s style is highly recognizable, his contributions to comic art and history have not been fully acknowledged. In George Pérez, author Patrick L. Hamilton addresses this neglect, first, by discussing Pérez’s artistic style within the context of Bronze Age superhero art, and second, by analyzing Pérez’s work for its representations of race, disability, and gender. Though he struggled with deadlines and health issues in the 1990s, Pérez would reintroduce himself and his work to a new generation of comics fans with a return to Marvel’s The Avengers, as well as attempts at various creator-owned comics, the last of these being Sirens from Boom! Studios in 2014. Throughout his career, Pérez established a dynamic and minutely detailed style of comic art that was both unique and influential.

An expert examination of the way climate change is transforming the Arctic environmentally, economically, and geopolitically, and how the challenges of that transformation should be met. A growing number of scientists estimate that there will be no summer ice in the Arctic by as soon as 2013. Are we approaching the "End of the Arctic?" as journalist Ed Struzik asked in 1992, or fully entering the "Age of the Arctic," as Arctic expert Oran Young predicted in 1986? Arctic Doom, Arctic Boom: The Geopolitics of Climate Change in the Arctic looks at the uncertainty at the top of the world as the shrinking of the polar ice cap opens up new sea lanes and the vast hydrocarbon riches of the Arctic seafloor to commercial development and creates environmental disasters for Arctic biota and indigenous peoples. Arctic Doom, Arctic Boom explores the geopolitics of the Arctic from a historical as well as a contemporary perspective, showing how the warming of the Earth is transforming our very conception of the Arctic. In addition to addressing economic and environmental issues, the book also considers the vital strategic role of the region in our nation's defenses.