Something about the new donut shop and its seriously weird baker doesn't sit right with Bridger. When people start disappearing and a mysterious green light is seen in the back of the shop at night, it's up to Bridger and his friend Sage to figure out what's really going on before everyone is consumed by the deadly donut craze! Donut Shop of Doom is the fourth book in the FRIGHTLAND series, chilling tales of terror for kids of all ages. Visit frightlandbooks.com to learn more about the series and join the official fan club!

It's another ordinary day in Food Town, and Nancy McNutty, peanut butter sandwich and rookie reporter, desperately needs a big break. So when news comes in of a monster doughnut on the rampage, she's on the case. And boy, is that doughnut hungry! It's eating everything in sight, and not even the police, the fire department, or the military can bring it down. Whatever will President Bacon do? They need a plucky hero to save the day for the good of all food kind!

From the desk of one of the most acclaimed and prolific true crime authors comes a mystery thriller certain to captivate his fans. M. William Phelps’s THE DEAD SOUL takes you on a suspenseful journey through Boston's illicit past, where Detective Jake "Sundance" Cooper fights to redeem his crumbling career. At the same time, a sadistic serial killer known as "the Optimist"—a character based on the author’s 20 years of research and writing about real serial killers—terrorizes young female victims along the city's Freedom Trail. Cooper's investigation exposes a corrupt Boston PD. It puts him at the center of a choice between blue blood loyalty and the pursuit of truth as his mentor, Detective Mo Blackhall, faces an indictment for his involvement in a scandal. Originally published in 2014, this gritty thriller provides a fascinating look into the reality of Boston's mean streets. Driven by a cast of characters reminiscent of Dennis Lehane's finest fiction, THE DEAD SOUL offers a thrill ride of suspense, mystery, and police procedural drama.

After narrowly preventing the last apocalypse, Kelly Driscoll has an unlikely day job. She's the interim manager of Amenity Tower, one of the few buildings still left standing in the rubble of Pothole City. After answering a mysterious phone call, she signs up for a new mission that's a perfect match for her skills: locating the eccentric missing president of the famed Cluck Snack brand. As Kelly quickly learns, the missing executive is only the beginning of Pothole City's problems. The city's leading donut shops - run by two very different Gorgon siblings with a personal connection to the missing president- are engaged in a bitter territorial dispute. Plus, the fallen angels in the condo building have hatched a new plot to free themselves from the highrise they're bound to and set the stage for another apocalypse they think will send them home. She has to keep the rebellious board members and the angel of the demonic locusts in line - and restore peace between the donut shops.

From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James “J Dilla” Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as “hip hop music” is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next. The samples and melodies tell the story of a man coming to terms with his declining health, a final love letter to the family and friends he was leaving behind. As a prolific producer with a voracious appetite for the history and mechanics of the music he loved, J Dilla knew the records that went into constructing Donuts inside and out. He could have taken them all and made a much different, more accessible album. If the widely accepted view is that his final work is a record about dying, the question becomes why did he make this record about dying? Drawing from philosophy, critical theory and musicology, as well as Dilla's own musical catalogue, Jordan Ferguson shows that the contradictory, irascible and confrontational music found on Donuts is as much a result of an artist's declining health as it is an example of what scholars call “late style,” placing the album in a musical tradition that stretches back centuries.

Acclaimed food writer and cultural historian John T. Edge conjures nostalgia by revealing portions of our history through our most cherished foods. Donuts is the cap on a scrumptious series toting comfort food, belying calorie-counting, and embracing those cornerstone, iconic dishes that have come to define American cuisine and customs over the years. In Donuts, Edge walks us though the donut's inception as Dutch fare, the Salvation Army's wartime donuts, the invention of the donut machine, the 1950s donut-shop craze, the Krispy Kreme revolution, the appropriation by other ethnicities, and the fanatical chefs that take donuts to a new art form. Nothing encourages our sweet-tooth cravings like the donut. It is honest. It is satisfying. It is a national symbol that has survived the low carb-diet dogma and the death of the local donut shop, and it is making a comeback into the hearts of Americans.