The articles in this volume treat issues in Hannah Rosen's many fields of scholarly interest. Most of the articles deal with subjects in Latin linguistics and philology; others treat Celtic linguistics and philology, while some combine the two. A number of the papers take Hannah Rosen's own work as their point of departure: especially, research on nominalization and periphrasis; on tense use and narrative structure; on translation technique. The authors adopt a variety of perspectives and approaches. This volume includes many contributions that are descriptive, comparative, or historical in nature, as well as some reflecting a literary orientation. A few authors use the text and its structure as their framework. A wide range of approaches to syntactical analysis on various levels of expression is prominently represented in the work of many of the contributors.

The narrative style of the Aeneid suggests immediacy and involves the reader, while at the same time both narrator and reader know what the outcomes of the story will be. In ‘Tenses in Vergil’s Aeneid: Narrative Style and Structure’, Suzanne Adema investigates the role of the Latin tenses in this presentational style. Adema presents a framework to analyze and describe the use of tenses in Latin narrative texts from a linguistic and narratological point of view. The framework concerns the temporal relations between a narrator and the states of affairs in his story on the sentence level, discourse modes on the global text level and narrative progression on the level of narrative and descriptive sequences.

In this two-volume work, the first full-scale treatment of its kind in English, Harm Pinkster applies contemporary linguistic theories and the findings of traditional grammar to the study of Latin syntax. He takes a non-technical and principally descriptive approach, based on literary and non-literary texts dating from c.250 BC to c.450 AD. The volumes contain a wealth of examples to illustrate the grammatical phenomena under discussion, many of them from the works of Plautus and Cicero, alongside extensive references to other sources of examples such as the Oxford Latin Dictionary and the Thesaurus Linguae Latinae. While the first volume explored the simple clause, this second volume focuses on the complex sentence and discourse. The first three chapters examine different types of subordinate clause; the following four then explore relative clauses, coordination, comparison, and secondary predicates. Later chapters investigate information structure and extraclausal expressions, word order, and discourse and related features. The Oxford Latin Syntax will be a valuable and up-to-date resource both for professional Latinists and all linguists with an interest in Classics.

New Perspectives on Historical Latin Syntax: Constituent Syntax (Quantification, Numerals, Possession, Anaphora) is the third of four volumes dealing with the long-term evolution of Latin syntax, roughly from the 4th century BCE up to the 6th century CE. Essentially an extension of Volume 2, Volume 3 concentrates on additional subsentential syntactic phenomena and their long-term evolution from the earliest texts up to the Late Latin period. Included in Volume 3 are detailed treatments of quantification, numerals, possession, and deixis/anaphora. As in the other volumes, the non-technical style and extensive illustration with classical examples makes the content readable and immediately useful to the widest audience. Key features first publication to investigates the long-term syntactic history of Latin generally accessible to linguists and non-linguists theoretically coherent, formulated in functional-typological terms does not require reading fluency in Latin, since all examples are translated into English

Voice and Voices in Antiquity draws together 18 studies of the changing concept of voice and voices in the oral traditions and subsequent literate genres of the ancient world. Ranging from the poet's voice to those of characters as well as historically embodied communities, and from the interface between the Greek and Near Eastern worlds to the western reaches of the Roman Empire, the scholars assembled here offer a methodologically rich and diverse series of approaches to locating the power of voice as both poetic construct and communal memory. The results not only enrich our understanding of the strategies of epic, lyric, and dramatic voices but also illuminate the rhetorical claims given voice by historians, orators, philosophers, and novelists in the ancient world.

TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.