Don't Go Up Kettle Creek is a historical portrayal of a river and the people who made their living along its banks and tributaries. Drawing upon the personal recollections and oral traditions of longtime residents, William Lynwood Montell describes a century and a half of life in the Upper Cumberland. Montell organized his material according to the topics that dominated his tape-recorded conversations with residents of the area-farming, logging and rafting, steamboating, the Civil War-topics that the people themselves saw as important in their history. In reconstructing the past, the author also illuminates the relationship between geographic and economic factors in the region; the prolonged affects of a cataclysmic event, the Civil War, on the isolated area; and the impact of modernization, in the form of "hard" roads and cheap, TVA-supplied electricity, on the traditional ways of people. First published in 1983, this book is now available in paperback for the first time. Included with this edition is a new foreword in which Montell and Mary Robbins, executive director of the Tennessee Upper Cumberland Tourism Association, describe changes in the area that have occured since the book's initial appearance. The Author: William Lynwood Montell, now retired, was coordinator of programs in folk and interculturual studies at Western Kentucky University. His numerous books include Ghosts along the Cumberland and The Saga of Coe Ridge.

In this sequel to Conversations with Kentucky Writers, L. Elisabeth Beattie brings together in-depth interviews with sixteen of the state's premiere wordsmiths. This new volume offers the perspectives of poets, journalists, and scholars as they discuss their views on creativity, the teaching of writing, and the importance of Kentucky in their work. They talk frankly about how and why they do what they do. The writers speak for themselves, and their thoughts come alive on the page. Beattie's interviews reveal the allegiances and alliances among Kentucky writers that have shaped literary trends by bringing together people with shared interests, values, subjects, and styles. The interviewees include authors who are captivated in other writers and in what they have to say about the process and craft of writing; educators who are interested in Kentucky writers and what their work reveals about the nature of creativity; and historians who are concerned with Kentucky's literary and cultural heritage. The interviews reveal patterns in Kentucky literature from mid-century to the millennium, as authors talk about how their sense of place has changed over the decades and reveal the ways in which the roots of Kentucky writing have produced a literary flowering at the century's end. Includes: Sallie Bingham, Joy Bale Boone, Thomas D. Clark, John Egerton, Sarah Gorham, Lynwood Montell, Maureen Morehead, John Ed Pearce, Ameilia Blossom Pegram, Karen Robards, Jeffrey Skinner, Frederick Smock, Frank Steele, Martha Bennett Stiles, Richard Taylor, and Michael Williams.

Alvin C. York went out on a routine patrol an ordinary, unknown American doughboy of the First World War. He came back from no-man's-land a hero. In a brief encounter on October 8, 1918, during the Argonne offensive, York had killed 25 German soldiers and, almost singlehandedly, effected the capture of 132 others. Returning to the United States the following spring, he received a tumultuous public welcome and a flood of offers from businessmen eager to capitalize on his acclaimed feat. But York, true to his character, went quietly back to his home in the Tennessee mountains, where he spent the remainder of his life working to bring schools and other services to those remote valleys where his neighbors lived. In this definitive biography, David D. Lee has firmly established the simple facts of Alvin York's life, distinguishing them from the myths which have grown up around the man. He has reexamined the sometimes conflicting accounts of the famous exploit, finding in his research a hitherto unknown report of the skirmish from German military archives. Lee goes beyond that single wartime episode, however, to consider its consequences on York's later life—his efforts, not always successful, to better his mountain community; his involvement in making a motion picture of his life; his difficulties with money and taxes. But Sergeant York is better known as a symbol than as an individual, and in this study Lee connects the man and his life to an American heroic ideal. With his rural background, his refusal to take commercial advantage of his fame, and his simple piety, Alvin York exemplified the traditional values of an agrarian America that was in his own day already receding into the past. He claimed a special place in the hearts of his countrymen, Lee concludes, because his life seemed to show that the virtues of the common man continued to be a vital part of American society.

Coldhearted River recounts the canoe odyssey of Kim Trevathan and photographer Randy Russell down the Cumberland River-almost 700 miles-from Harlan, Kentucky, through Middle Tennessee and Nashville, then back into western Kentucky, where it spills into the Ohio. Entertaining and nostalgic, Coldhearted River will put readers at the bow of Trevathan and Russell's journey as the river controlled it-at its own pace, sometimes slow, sometimes fast and turbulent, but never dull, and never disappointing. Book jacket.

Using the Tennessee antievolution 'Monkey Law,' authored by a local legislator, as a measure of how conservatives successfully resisted, co-opted, or ignored reform efforts, Jeanette Keith explores conflicts over the meaning and cost of progress in Tennessee's hill country from 1890 to 1925. Until the 1890s, the Upper Cumberland was dominated by small farmers who favored limited government and firm local control of churches and schools. Farm men controlled their families' labor and opposed economic risk taking; farm women married young, had large families, and produced much of the family's sustenance. But the arrival of the railroad in 1890 transformed the local economy. Farmers battled town dwellers for control of community institutions, while Progressives called for cultural, political, and economic modernization. Keith demonstrates how these conflicts affected the region's mobilization for World War I, and she argues that by the 1920s shifting gender roles and employment patterns threatened traditionalists' cultural hegemony. According to Keith, religion played a major role in the adjustment to modernity, and local people united to support the 'Monkey Law' as a way of confirming their traditional religious values.

In the late nineteenth and early twentieth centuries, millions of black and white southerners left farms and rural towns to try their fate in the region's cities. This transition brought about significant economic, social, and cultural changes in both urban centers and the countryside. Focusing on Nashville and its Middle Tennessee hinterland, Louis Kyriakoudes explores the impetus for this migration and illuminates its effects on regional development. Kyriakoudes argues that increased rural-to-urban migration in the late nineteenth century grew out of older seasonal and circular migration patterns long employed by southern farm families. These mobility patterns grew more urban-oriented and more permanent as rural blacks and whites turned increasingly to urban migration in order to cope with rapid economic and social change. The urban economy was particularly welcoming to women, offering freedom from the male authority that dominated rural life. African Americans did not find the same freedoms, however, as whites found ways to harness the forces of modernization to deny them access to economic and social opportunity. By linking urbanization, economic and social change, and popular cultural institutions, Kyriakoudes lends insight into the development of an urban, white, working-class identity that reinforced racial divisions and laid the demographic and social foundations for today's modern, urban South.

Any landscape has an unseen component: a subjective component of experience, memory, and narrative which people familiar with the place understand to be an integral part of its geography but which outsiders may not suspect the existence ofOCounless they listen and read carefully. This invisible landscape is make visible though stories, and these stories are the focus of this engrossing book. Traveling across the invisible landscape in which we imaginatively dwell, Kent RydenOCohimself a most careful listener and readerOCoasks the following questions. What categories of meaning do we read into our surroundings? What forms of expression serve as the most reliable maps to understanding those meanings? Our sense of any place, he argues, consists of a deeply ingrained experiential knowledge of its physical makeup; an awareness of its communal and personal history; a sense of our identity as being inextricably bound up with its events and ways of life; and an emotional reaction, positive or negative, to its meanings and memories. Ryden demonstrates that both folk and literary narratives about place bear a striking thematic and stylistic resemblance. Accordingly, "Mapping the Invisible Landscape" examines both kinds of narratives. For his oral materials, Ryden provides an in-depth analysis of narratives collected in the Coeur d'Alene mining district in the Idaho panhandle; for his consideration of written works, he explores the OC essay of place, OCO the personal essay which takes as its subject a particular place and a writer's relationship to that place. Drawing on methods and materials from geography, folklore, and literature, "Mapping the Invisible Landscape" offers a broadly interdisciplinary analysis of the way we situate ourselves imaginatively in the landscape, the way we inscribe its surface with stories. Written in an extremely engaging style, this book will lead its readers to an awareness of the vital role that a sense of place plays in the formation of local cultures, to an understanding of the many-layered ways in which place interacts with individual lives, and to renewed appreciation of the places in their own lives and landscapes."