Perfect for fans of Jennifer E. Smith and Huntley Fitzpatrick, Don't Call Me Baby is a sharply observed and charming story about mothers and daughters, best friends and first crushes, and our online selves and the truth you can only see in real life. All her life, Imogene has been known as the girl on that blog. Imogene's mother has been writing an incredibly embarrassing, and incredibly popular, blog about her since before she was born. The thing is, Imogene is fifteen now, and her mother is still blogging about her. In gruesome detail. When a mandatory school project compels Imogene to start her own blog, Imogene is reluctant to expose even more of her life online . . . until she realizes that the project is the opportunity she's been waiting for to define herself for the first time.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

The game of murder: it’s not a pretty game. The players are weird. They don’t fit in with normal people, sensible people - people who don’t get a kick out of shoving in the knife, ripping through the flesh, seeing the bright red spurt . . . Peter Chambers knows the game of murder. He’s not a player - more of a referee. He sees them all: the murder for profit, the murder for fun. Sometimes he’s on the receiving end. And when sex gets mixed with murder, it’s almost enough to make a guy give up sex - for a day or two.

Honoring the contributions of women to the recent history of Oklahoma, a provocative compilation of essays records defining moments in women's lives, with contributions from Cherokee chief Wilma Mankiller, Oklahoma First Lady Kim Henry, novelist Billie Letts, prima ballerina Maria Tallchief, and others who share personal reflections on such issues as adultery, death, abuse, and disaster.

“Don’t Call Me Home is about madness and love. Alexandra tells the best stories about her extraordinary childhood as she travels the world with her mother Viva. Wit and wisdom wrapped and bound with love.” --Debbie Harry “Alexandra Auder’s Don’t Call Me Home is thrumming with life, in all its absurdity, vividness, and gunk. I literally laughed and cried, and cheered hard throughout for our intrepid narrator, who has gifted us an incomparable tale.”--Maggie Nelson author of The Argonauts and On Freedom A moving and wickedly funny memoir about one woman’s life as the daughter of a Warhol superstar and the intimate bonds of mother-daughter relationships Alexandra Auder’s life began at the Chelsea Hotel—New York City’s infamous bohemian hangout—when her mother, Viva, a longtime resident of the hotel and one of Andy Warhol’s superstars, went into labor in the lobby. These first moments of Alexandra’s life, documented by her filmmaker father, Michel Auder, portended the whirlwind childhood and teen years that she would go on to have. At the center of it all is Viva: a glamorous, larger-than-life woman with mercurial moods, who brings Alexandra with her on the road from gig to gig, splitting time between a home in Connecticut and Alexandra’s father’s loft in 1980s Tribeca, then moving back again to the Chelsea Hotel and spending summers with Viva’s upper-middle-class, conservative, hyperpatriarchal family of origin. In Don’t Call Me Home, Alexandra meditates on the seedy glory of being raised by two counterculture icons, from walking a pet goat around Chelsea and joining the Squat Theatre company to coparenting her younger sister, Gaby, with her mother and partying in East Village nightclubs. Flitting between this world and her present-day life as a yoga instructor, actress, mother, wife, and much-loved Instagram provocateur, Alexandra weaves a stunning, moving, and hilarious portrait of a family and what it means to move away from being your mother’s daughter into being a person of your own.

1810 Port Jackson was an unlikely time and place for Ann Cotterell to find happiness and fulfilment, but for a lonely young woman in Georgian London whose prospects were grim, this destination seemed to offer a far better future. With a spot of devious scheming, feisty Ann became the eager recipient of a seven year sentence to Englands latest penal colony in New South Wales. Ever the optimist, the impetuous Ann launched herself into a new life that actually promised much more than she hoped for. However, broken dreams and Anns wilfulness again brought her undone. When she found herself in the stocks for a humiliating offence, she discovered Gods grace and mercy were sufficient for even a recalcitrant like herself. But, would she ever find peace and contentment with Will Davis, the hardworking love of her life, and also a former guest of His Majesty?

A Prize-winning MemoirDont Call Me Mother: Breaking the Chain of Mother-Daughter Abandonment I wanted to tell the secret stories that my great-grandmother Blanche whispered to me on summer nights in a featherbed in Iowa. I was eight and she was eighty Dont Call Me Mother is an inspiring chronicle of perseverance, healing, and the unquenchable power of forgiveness. Acclaimed author and therapist Linda Joy Myerss compelling, compassionate, and often heart-wrenching memoir shares the story of her mothers abandonment of her, part of a generations-long tradition in her family. Myers uncovers the layers of a painful secret she carried with her for years, transporting us on a journey that is both familiar and uncompromising in its honesty a journey into the inner heart of a home shattered by abandonment and undiagnosed manic-depressionand a quest for the fulfillment of a childhood dream for a peaceful and loving family.