Don Juan Tenorio: Drama religioso-fantástico en dos partes (Don Juan Tenorio: Religious-Fantasy Drama in Two Parts), is a play written in 1844 by José Zorrilla. It is the more romantic of the two principal Spanish-language literary interpretations of the legend of Don Juan. The other is the 1630 El burlador de Sevilla y convidado de piedra (The Trickster of Seville and the Guest of Stone), which is attributed to Tirso de Molina. Don Juan Tenorio owes a great deal to this earlier version, as recognized by Zorrilla himself in 1880 in his Recuerdos del tiempo viejo (Memories of the Old Times), although the author curiously confuses de Molina with another writer of the same era, Agustín Moreto.

This book is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

Don Juan is one of the most intriguing creations of Western literature, a perpetual source of fascination. In the popular imagination he exists as a legendary seducer of women, a trickster and transgressor of sacred boundaries. Crossing cultures from east to west, he has been the recipient of countless revisions, while the twentieth century has viewed the figure afresh through the prism of its own cultural terms of reference and social concerns. Using an interdisciplinary approach, Tales of Seduction focuses on the fascinating intersections between myth, culture and intellectual inquiry. Sarah Wright takes Don Juan back to Spain and examines the confluences of Spanish culture with aspects of Western intellectual history (such as medicine, psychoanalysis and linguistics), where she finds Don Juan continues to transgress the limits of culture until the present.

Saint Rafael Arnaiz was born in Burgos, Spain, on April 9, 1911. When he was twenty-one years old, he left behind the comforts of his wealthy family and an unfinished degree in architecture to join the Trappist-Cistercian abbey of San Isidro de Dueñas. A sudden onset of diabetes and the beginning of the Spanish Civil War (1936–1939) turned his monastic journey into an unusual one. In these unfavorable circumstances and despite the shortness of his life (he died soon after his twenty-seventh birthday), Rafael developed a solid spirituality, which in its simplicity is a straight path to holiness. He has been compared to mystics like Teresa of Ávila and John of the Cross, whose writings inspired him, and his theology of the cross, born from his prayer, places him in continuity with the best of the monastic tradition. In his letters and journals, compiled in this volume, his heart speaks of the joys and struggles of striving to live for God alone.

Spanning the period between Spanish colonization and the early twentieth century, this well-argued and convincing study examines the histories of Spanish and American conquests, and of ethnicity, race, and community in southern California. Lisbeth Haas draws on a diverse body of source materials (mission and court archives, oral histories, Spanish language plays, census and tax records) to build a new picture of rural society and social change. A borderlands and Chicano history, Haas's work provides a richly textured study of events that took place in and around San Juan Capistrano and Santa Ana in present-day Orange County. She provides a vivid sense of how and why the past acquires meaning in the lives that make up the historical identities she discusses. The voices of Juaneño and Luiseño Indians, Californios, and Mexicans are heard along the shifting faultlines of economic, social, and political change. This is one of the first truly multiethnic histories of California and of the West. It makes clear that issues of multiculturalism and ethnicity are not recent manifestations in California—they have characterized social and cultural relationships there since the late eighteenth century.

First Published in 2002. The present volume forms part of a major Bibliography of the Hispanic Theatre, forthcoming in several volumes by different specialists. As such, it is one of the products of a still larger computer-assisted Project of Hispanic Research Bibliographies. The aim has been to give as wide a coverage to the area as possible, listing not only books and articles in periodicals but also data of a documentary character such as items on playbills and the local regulation of theatres. Annotation is confined to information, and critical appraisal is excluded.