This dream episode from Man and Superman forms a play within the play, consisting of a dramatic reading in which the Devil himself comments on heaven and hell, good and evil, and human purpose.

'Sganarelle, or The Imaginary Cuckold' is a one-act comedy in verse by Molière. The story deals with the consequences of jealousy and hasty assumptions in a farcical series of quarrels and misunderstandings involving Sganarelle (the imagined cuckold of the title), his wife, and the young lovers, Célie and Lélie.

Nobel Prize winner Peter Handke offers a wry and entertaining take on history's most famous seducer as he takes a respite from his stressful existence Don Juan's story—"his own version"—is filtered through the consciousness of an anonymous narrator, a failed innkeeper and chef, into whose solitude Don Juan bursts one day. On each day of the week that follows, Don Juan describes the adventures he experienced on that same day a week earlier. The adventures are erotic, but Handke's Don Juan is more pursued than pursuer. What makes his accounts riveting are the remarkable evocations of places and people, and the nature of his narration. Don Juan: His Own Version is, above all, a book about storytelling and its ability to burst the ordinary boundaries of time and space. In this brief and wry volume, Peter Handke conjures images and depicts the subtleties of human interaction with an unforgettable vividness. Along the way, he offers a sharp commentary on many features of contemporary life.

Thomas A. Janvier's 'Legends of the City of Mexico' delves into the rich history and folklore of Mexico's capital city. The book intricately weaves together a collection of captivating legends that have been passed down through generations, providing readers with a glimpse into the cultural tapestry of the region. Janvier's writing style is both vivid and descriptive, transporting readers to the streets of Mexico City and immersing them in the enchanting tales of times past. This book is a valuable contribution to Mexican literature, offering a unique perspective on the city's myths and traditions. Thomas A. Janvier, a prolific American author and historian, was known for his works focusing on Latin American culture and history. His interest in Mexican folklore and legends led him to compile this comprehensive collection, showcasing his deep understanding and appreciation for the country's heritage. Janvier's meticulous research and passion for storytelling shine through in 'Legends of the City of Mexico', making it a must-read for anyone interested in Mexican culture and folklore. I highly recommend 'Legends of the City of Mexico' to readers who are seeking an immersive and enlightening journey through the captivating world of Mexican legends. Janvier's masterful storytelling and rich historical insights make this book a valuable addition to any library, offering a compelling look into the myths and folklore that have shaped Mexico City's identity.

Don Juan, the "Seducer of Seville," originated as a hero-villain of Spanish folk legend, is a famous lover and scoundrel who has made more than a thousand sexual conquests. One of Molière's best-known plays, Don Juan was written while Tartuffe was still banned on the stages of Paris, and shared much with the outlawed play. Modern directors transform Don Juan in every new era, as each director finds something new to highlight in this timeless classic. Richard Wilbur's flawless translation will be the standard for generations to come, as have his translations of Molière's other plays. Witty, urbane, and poetic in its prose, Don Juan is, most importantly, as funny now as it was for audiences when it was first presented.

Carlos Castaneda takes the reader into the very heart of sorcery, challenging both imagination and reason, shaking the very foundations of our belief in what is "natural" and "logical." In 1961, a young anthropologist subjected himself to an extraordinary apprenticeship with Yaqui Indian spiritual leader don Juan Matus to bring back a fascinating glimpse of a Yaqui Indian's world of "non-ordinary reality" and the difficult and dangerous road a man must travel to become "a man of knowledge." Yet on the bring of that world, challenging to all that we believe, he drew back. Then in 1968, Carlos Castaneda returned to Mexico, to don Juan and his hallucinogenic drugs, and to a world of experience no man from our Western civilization had ever entered before.