How elite Roman families used genealogy, architecture, and the urban fabric to appropriate the city's saints for their own Domesticating Saints in Medieval and Early Modern Rome explores the creative efforts of some of Rome's most prominent noble families to weave themselves into Rome's Christian past. Maya Maskarinec shows how, from late antiquity to early modernity, elite Roman families used genealogy, architecture, and the urban fabric to appropriate the city's saints for their own, eventually claiming them as ancestors. Over the course of the Middle Ages, there developed a pronounced sense that churches and their saints belonged to specific regions, neighborhoods, and even families. These associations, coupled with a resurgent interest in Rome's Christian antiquity as well as in noble lineages, enabled Roman families to "domesticate" the city's saints and dominate the urban landscape and its politics into the early modern era. These families cultivated saintly genealogies and saintly topologies (exploiting, for example, the increasingly prolific identification of churches as the former residences of early Christian and late antique saints), cementing presumed connections between place, descent, and moral worth. Drawing from sources spanning the fourth to the late sixteenth century, Maskarinec brings into conversation saints' lives, documentary evidence, family genealogies, monumental and domestic architecture, and medieval and early modern guidebooks, sources not often studied together. Bridging the divide between secular and sacred histories of Rome, Domesticating Saints in Medieval and Early Modern Rome repositions these materials within a new story, of how Romans made the city's classical and Christian past their own and thereby empowered and immortalized their families.

How elite Roman families used genealogy, architecture, and the urban fabric to appropriate the city’s saints for their own Domesticating Saints in Medieval and Early Modern Rome explores the creative efforts of some of Rome’s most prominent noble families to weave themselves into Rome’s Christian past. Maya Maskarinec shows how, from late antiquity to early modernity, elite Roman families used genealogy, architecture, and the urban fabric to appropriate the city’s saints for their own, eventually claiming them as ancestors. Over the course of the Middle Ages, there developed a pronounced sense that churches and their saints belonged to specific regions, neighborhoods, and even families. These associations, coupled with a resurgent interest in Rome’s Christian antiquity as well as in noble lineages, enabled Roman families to “domesticate” the city’s saints and dominate the urban landscape and its politics into the early modern era. These families cultivated saintly genealogies and saintly topologies (exploiting, for example, the increasingly prolific identification of churches as the former residences of early Christian and late antique saints), cementing presumed connections between place, descent, and moral worth. Drawing from sources spanning the fourth to the late sixteenth century, Maskarinec brings into conversation saints’ lives, documentary evidence, family genealogies, monumental and domestic architecture, and medieval and early modern guidebooks, sources not often studied together. Bridging the divide between secular and sacred histories of Rome, Domesticating Saints in Medieval and Early Modern Rome repositions these materials within a new story, of how Romans made the city’s classical and Christian past their own and thereby empowered and immortalized their families.

How and why did a medieval female saint from the Eastern Mediterranean come to be such a powerful symbol in early modern Rome? This study provides an overview of the development of the cult of Catherine of Alexandria in Renaissance Rome, exploring in particular how a saint's cult could be variously imaged and 'reinvented' to suit different eras and patronal interests. Cynthia Stollhans traces the evolution of the saint's imagery through the lens of patrons and their interests-with special focus on the importance of Catherine's image in the fashioning of her Roman identity-to show how her imagery served the religious, political, and/or social agendas of individual patrons and religious orders.

Notwithstanding the wealth of material published about St Clare of Assisi (1193-1253) in the context of medieval scholarship, and the wealth of visual material regarding her, there is a dearth of published scholarship concerning her cult in the early modern period. This work examines the representations of St Clare in the Italian visual tradition from the thirteenth century on, but especially between the fifteenth and the mid-seventeenth centuries, in the context of mendicant activity. Through an examination of such diverse visual images as prints, drawings, panels, sculptures, minor arts, and frescoes in relation to sermons of Franciscan preachers, starting in the thirteenth century but focusing primarily on the later tradition of early modernity, the book highlights the cult of women saints and its role in the reform movements of the Osservanza and the Catholic Reformation and in the face of Muslim-Christian encounter of the early modern era. Debby?s analyses of the preaching of the times and iconographic examination of neglected artistic sources makes the book a significant contribution to research in art history, sermon studies, gender studies, and theology.

This anthology is about the representations and uses of medieval saints, heroes, and heroic events as elements of popular, local, and national culture during the 19th and 20th centuries in the Baltic Sea region: Scandinavia, Finland, Baltic countries, Northern Germany and North-Western Russia. Authors examine the processes of how medieval saints and heroes have been remembered, commemorated, interpreted, used, and reflected during modernity, and by whom. The focus of the anthology is on "doing" memory as a practice that commemorated the past and shaped spaces and identities in the present. It approaches the memory of saints and heroes, for example, Swedish Saints Birgitta and Eric, Danish Saint Knud, Kyivan Princess Olga, Swedish military leader in Finland Tyrgils Knutsson, Liv/Latvian warrior Imanta and Holsatian count Gerhard III as a shared heritage and as part of national, local and popular culture. The anthology contributes to the understanding of the Baltic Sea region through the study of saints, cults and heroic representations in the longue durée between the Middle Ages and modernity. It also adds nuance to the use of popular concepts of memory studies, particularly an update of Pierre Nora's lieux de mémoire.