The paradoxes set up between love and sex in contemporary American life are explored with subtle insight and brilliantly incisive humor in this culturally prescient novel. Domestic Arrangements is about a recognizable family facing a recognizable dilemma—how to respond to their daughter’s first affair. The Englebergs are not altogether ordinary though: Mom is Amanda, an in-demand actress whose specialties are TV commercials and soap operas; Daddy is Lionel, the director of an Emmy-winning TV documentary; Tatiana, our fourteen-year-old narrator, is a budding actress who just filmed her first ‘tasteful’ nude scene; and finally Cordelia, Tatiana’s acerbic and sharp-witted sister who is facing her own crisis of self-image. Norma Klein’s novel speaks to a multitude of readers who will empathize with the foibles of our time in every scene of this perceptive and honest literary entertainment.

Tune in to HGTV, visit your local bookstore's magazine section, or flip to the 'Homes' section of your weekend newspaper, and it becomes clear: domestic spaces play an immense role in our cultural consciousness. The Domestic Space Reader addresses our collective fascination with houses and homes by providing the first comprehensive survey of the concept across time, cultures, and disciplines. This pioneering anthology, which is ideal for students and general readers, features writing by key scholars, thinkers, and writers including Gaston Bachelard, Mary Douglas, Le Corbusier, Homi Bhabha, Henri Lefebvre, Mrs. Beeton, Ma Thanegi, Diana Fuss, Beatriz Colomina, and Edith Wharton. Among the many engaging topics explored are: the impact of domestic technologies on family life; the relationship between religion and the home; nomadic peoples and housing; domestic spaces in art and literature; and the history of the bedroom, the kitchen, and the bathroom. The Domestic Space Reader demonstrates how discussions of domestic spaces can help us better understand our inner lives and challenge our perceptions of life in particular times and places.

Gillian Brown explores the key relationship between domestic ideology and formulations of the self in 19th-century America. Arguing that domesticity not only presumes but institutes distinctions of gender, class, and race, Brown reveals how these distinctions in turn inform identity. She offers a new reading of writings by Stowe, Hawthorne, Melville, Fern, and Gilman.

In 2005, after considerable campaigning by women’s groups, the Indian government brought in an important new law, the Protection of Women from Domestic Violence Act (PWDVA). A civil law, the PWDVA was meant to combat violence against women in familial and intimate spaces. In The Violent Domestic, the authors ask: how effective has this law been? Have there been any changes in institutional regimes and their politics as a result of this legislation? They look at seven districts of West Bengal and interrogate, through the testimonies of survivors, whether the law reshapes the domestic, or whether the embeddedness of violence in the domestic is so complete that change through law must necessarily be partial and imperfect. Importantly, the questions the authors ask go beyond the heteronormative approach that centres only the married woman in the discourse around domestic violence. They include the voices of lesbian and transgender women, as well as women with physical and psycho-social disabilities. Given these unique insights, The Violent Domestic will be a welcome addition to legal and gender studies.

Based on extensive fieldwork in Calcutta, this book provides the first ethnography of how middle-class women in India understand and experience economic change through transformations of family life. It explores their ideas, practices and experiences of marriage, childbirth, reproductive change and their children's education, and addresses the impact that globalization is having on the new middle classes in Asia more generally from a domestic perspective. By focusing on maternity, the book explores subjective understandings of the way intimate relationships and the family are affected by India's liberalization policies and the neo-liberal ideologies that accompany through an analysis of often competing ideologies and multiple practices. And by drawing attention to women's agency as wives, mothers and grandmothers within these new frameworks, Domestic Goddesses discusses the experiences of different age groups affected by these changes. Through a careful analysis of women's narratives, the domestic sphere is shown to represent the key site for the remaking of Indian middle-class citizens in a global world.